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Haggadah (P2) - Unsigned Print by Gerhard Richter 2014 - MyArtBroker

Haggadah (P2)
Unsigned Print

Gerhard Richter

£16,000-£24,000Value Indicator

$35,000-$50,000 Value Indicator

$29,000-$45,000 Value Indicator

¥150,000-¥230,000 Value Indicator

19,000-28,000 Value Indicator

$160,000-$250,000 Value Indicator

¥3,030,000-¥4,540,000 Value Indicator

$21,000-$30,000 Value Indicator

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100 x 100cm, Edition of 500, Digital Print

Medium: Digital Print
Edition size: 500
Year: 2014
Size: H 100cm x W 100cm
Signed: No
Format: Unsigned Print
Last Auction: April 2025
Value Trend:
-10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Phillips London
United Kingdom
£12,750
£15,000
£19,050
March 2025
Sotheby's London
United Kingdom
January 2025
SBI Art Auction
Japan
November 2024
Dobiaschofsky
Switzerland
June 2024
Van Ham Fine Art Auctions
Germany
March 2024
Forum Auctions London
United Kingdom
January 2024
Phillips London
United Kingdom
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Track auction value trend

The value of Gerhard Richter's Haggadah (P2) (2014) is estimated to be worth between £16,000 and £24,000. In the last 12 months, 5 works have been sold, with an average selling price of £18,465. Over the past five years, the hammer price has varied from £10,000 in March 2024 to £40,186 in April 2020. The artwork demonstrates an average annual growth rate of -10%. This digital print is part of an edition of 500 and is available on the market.

Created with Highcharts 11.4.8Jan 2024Mar 2024Jun 2024Aug 2024Nov 2024Jan 2025Apr 2025£10,000£12,000£14,000£16,000£18,000£20,000© MyArtBroker

Meaning & Analysis

Akin to other works in Richter’s Abstract collection, such as Abstraktes Foto and Abstraktes Bild (P1), this print is a vibrant, metallic work product of the artist’s deconstructive approach to composition and painting. Imbued with a visual sense of Richter’s dynamic, multi-directional mark-making, the print is marked by a central column of green, yellow, and dark blue colour. Flanked by monochromatic areas of paint that speak to Richter’s careful and staged creative process, this work is an unmistakable example of the visual artist’s defiance towards artistic tradition. Non-representational in its remit, the work also speaks to the exciting creative zeal that results from the artist’s freeing departure from his ‘Atlas’ - a monumental dossier comprising images of all kinds that has often served as a photographic reference point for Richter’s representational works.

Despite Richter’s prescriptive use of ‘classic’ paints, such as titanium white and cadmium, Haggadah (P2) has a rich earthiness that references the artist’s complex, multi-layered œuvre. Equivalent to a conceptual musing on the nature of art itself, the piece’s title references the Haggadah - a Jewish text used during the Passover Seder, an annual religious feast marking the beginning of the homonymous Jewish festival. The Haggadah series, after which the print was made, was first painted in 2006 - the same year in which Richter completed his world-famous Cage paintings.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.