Figure At Wash Basin
Figure At Wash Basin
Signed Print
Francis Bacon
£5,500-£8,500Value Indicator
$11,500-$18,000 Value Indicator
$10,000-$16,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€6,500-€10,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,040,000-¥1,610,000 Value Indicator
$7,500-$11,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Aquatint
Edition size: 100
Year: 1976
Size: H 47cm x W 36cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2024 | Heffel Online | Canada | |||
| June 2022 | Phillips London | United Kingdom | |||
| January 2022 | Phillips London | United Kingdom | |||
| December 2021 | Tate Ward Auctions | United Kingdom | |||
| May 2020 | Artcurial | France | |||
| June 2019 | Il Ponte Auction House, Via Pontaccio | Italy | |||
| November 2018 | Artcurial | France |
Meaning & Analysis
Figure At Wash Basin was created by Francis Bacon in 1976. This signed print of the work is an aquatint and is part of an edition size of 100. The piece explores the artist’s ongoing fascination with the human form. It depicts an ambiguous figure hunched over a wash basin full of water. The composition is typical of Bacon’s art as the action is at the centre and the surrounding structure is rather geometrical in form, framing the central figuration.
The figure looks almost machinist as the limbs and bones appear hinged together. The biomorphic depiction of the human body is a common style throughout Bacon’s work where geometric shapes and abstraction of the human form meet deeply embodied depictions with intense emotional evocations. Here, a bleak scene is created as a body writhes over the sink as if they are vomiting. This could be inspired by the death of Bacon’s partner, George Dyer. Dyer overdosed on pills and alcohol and was known to have vomited in a sink moments prior as Bacon watched from the bedroom next door.
Black blinds are positioned directly behind the figure and the basin, framing the action and blocking out the light of a window. The bleak palette consists of murky yellows, greys, blues and a blood red block that the figure is perched upon. A thick white arrow is found on top of the black structure pointing towards the body. Similar arrows found in other works by Bacon such as Study Of The Human Body From A Drawing By Ingres (1982) are said to bring a formality to the abstracted forms. Bacon took inspiration from police photographs and golfing magazines showing the direction of ball flight with these arrows.
Irish-born artist, Francis Bacon, has produced some of the most famous paintings in the British Contemporary canon. The 20th century maverick's visceral and emotionally charged canvases redefined figurative art. Exploring harrowing themes of trauma, sexuality, religion and violence, Bacon forces the viewer to confront the human psyche and the dark realities of human emotion. Often working from memory or his own imagination, there is a clear morphing of influences on Bacon’s work. An unusual combination of imagery is the result of his exposure to canonical artists such as Velazquez, Picasso and Rembrandt alongside his exploration of medical textbooks and photographic stills.
