Untitled
(S. 102-117)
Donald Judd’s Untitled (S. 102-117), is a seminal series in the Minimalist art movement, consisting of sixteen etchings that exemplify his radical approach to form and structure. Produced in 1978, the series presents a sequential variation of geometric forms. Each print is a study in the subtle manipulation of a single form, creating a rhythm that is both visually captivating and intellectually engaging.
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Meaning & Analysis
In Untitled (S. 102-117), Donald Judd presents an exploration of simplicity and seriality that are central to his artistic philosophy. This series of prints, through its clarity of line and form, provides a compelling insight into Judd’s methodical approach to the visual representation of space and structure.
The series consists of prints that feature uniform, cuboid shapes repeated across the sequence but differentiated by their arrangement and spacing. This repetition and subtle variation underscore Judd’s interest in how serial forms can transform the perception of space and depth, as well as how they interact with the viewer’s understanding of rhythm and sequence.
Judd’s use of unembellished line and geometric forms speaks to his commitment to an artistry devoid of any representational elements. This allows the forms themselves to become the subjects of the artwork, highlighting the emphatic precision of simple geometric arrangements.
Though primarily known for his sculptures, Judd’s work in the etching medium maintains his rigorous attention to colour and material. In Untitled (S. 102-117), the colour choices are restrained yet powerful, utilising contrasting hues to enhance the visual impact of the geometric forms.
