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Eine (First Part) - Signed Print by David Hockney 1991 - MyArtBroker

Eine (First Part)
Signed Print

David Hockney

£13,500-£20,000Value Indicator

$28,000-$40,000 Value Indicator

$25,000-$35,000 Value Indicator

¥130,000-¥190,000 Value Indicator

€16,000-€23,000 Value Indicator

$140,000-$210,000 Value Indicator

¥2,680,000-¥3,970,000 Value Indicator

$18,000-$27,000 Value Indicator

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113 x 81cm, Edition of 35, Lithograph

Medium: Lithograph

Edition size: 35

Year: 1991

Size: H 113cm x W 81cm

Signed: Yes

Format: Signed Print

Last Auction: July 2008

Value Trend:

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2008
Christie's New York
United States
$4,700
$5,500
$7,000
February 2008
Christie's New York
United States
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The value of David Hockney’s Eine (First Part) (signed) from 1991 is estimated to be worth between £13,500 and £20,000. This lithograph print, with an auction history of two sales since its entry to the market on 8th February 2008, is a rare artwork. There have been no sales in the last 12 months or the last five years, and the edition size is limited to 35.

Created with Highcharts 11.4.8Feb 2008Mar 2008Apr 2008Apr 2008May 2008Jun 2008Jul 2008$4,000$4,500$5,000$5,500$6,000$6,500$7,000© MyArtBroker

Meaning & Analysis

Eine (First Part) is the first in a series of three prints entitled Eine, Deux, Très. In this first installment, the composition echoes that of the two succeeding prints, yet the colour combination varies, altering the sense of volume and space in comparison to the other two artworks. Here, a colour palette of blue and grey tones has been chosen, with black planes adding depth and contrast to the composition. Various patterns such as cross-hatching and dots add textural depth, as well as a section of blue and black grass in the lower third of the composition. Eine (First Part) is a radical departure from a typical Hockney landscape, full of vibrancy and fecund, green plants. Yet, if anything, this series is testament to his limitless artistic ability and demonstrates Hockney’s continual desire to experiment and push the bounds of his own artistic practice, which has continued throughout his career and made itself manifest in the artist’s most recent Digital Drawings series, executed on his iPad. Hockney takes the natural world as the starting point for his inspiration behind Eine (First Part), yet this is buried beneath a layer of rigid, geometric forms; a lake and river reduced to hard-edged shapes.