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Sunday Morning Nov 28th 1982 Mayflower Hotel N.Y - Signed Print by David Hockney 1982 - MyArtBroker

Sunday Morning Nov 28th 1982 Mayflower Hotel N.Y
Signed Print

David Hockney

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126 x 194cm, Edition of 20, Photographic print

Medium: Photographic print

Edition size: 20

Year: 1982

Size: H 126cm x W 194cm

Signed: Yes

Format: Signed Print

Last Auction: October 2017

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2017
Christie's New York
United States
£16,723
£19,674
£24,593
April 2016
Phillips New York
United States
February 2012
Christie's London
United Kingdom
May 1994
Christie's New York
United States
April 1993
Christie's New York
United States
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The value of David Hockney’s Sunday Morning Nov 28th 1982 Mayflower Hotel N.Y (signed) is estimated to be worth between £60,000 and £80,000. This photographic print, created in 1982, has shown consistent value growth, with an auction history of three total sales since its entry to the market on 15th February 2012. The edition size of this artwork is limited to 20.

Created with Highcharts 11.4.8Apr 1993May 1997Jun 2001Jul 2005Aug 2009Sep 2013Oct 2017£12,500£15,000£17,500£20,000£22,500£25,000© MyArtBroker

Meaning & Analysis

This 1982 print, Sunday Morning Nov 28th Mayflower Hotel, N.Y., by prolific British artist David Hockney belongs to the Photo Collages collection and was released in a limited edition of 20. An example of one of the artist’s many ‘joiner’ images, it eschews the limitations of the camera as a time-based, single-point focused medium. Opting to take many individual photographs of a multitude of details and to arrange them within a single, dynamic composition, here Hockney further develops his innovative approach to image-making. Amongst the many details visible within the ocular scope of the piece is an edition of the New York Times Book Review and the 1982-83 season programme for the Metropolitan Opera – an institution for whom Hockney worked as a stage and costume designer on several occasions (See the Hockney And The Stage series and the 1981 print, Parade (Acrobat)). The presence of Hockney’s hand, complete with its signature gold rings, imbues this piece with a sense of the duration it took to make it; as we notice Hockney’s reflection in the mirror, beamed back to the viewer by way of the camera, we notice that there are in fact three hands visible. Placed at the centre of the composition, Hockney’s two hands clutch the camera in what is a brilliantly executed example of the mise-en-abyme effect. The motif of the mirror recalls the trompe l’œil frames of the print series, A Hollywood Collection, or indeed the drop curtain which is a recurring feature of the artist’s Hockney And The Stage series.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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