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Sunday Morning Nov 28th 1982 Mayflower Hotel N.Y - Signed Print by David Hockney 1982 - MyArtBroker

Sunday Morning Nov 28th 1982 Mayflower Hotel N.Y
Signed Print

David Hockney

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126 x 194cm, Edition of 20, Photographic print

Medium: Photographic print
Edition size: 20
Year: 1982
Size: H 126cm x W 194cm
Signed: Yes
Format: Signed Print
Last Auction: October 2017

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2017
Christie's New York
United States
$22,000
$26,000
$35,000
April 2016
Phillips New York
United States
February 2012
Christie's London
United Kingdom
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Track auction value trend

The value of David Hockney’s Sunday Morning Nov 28th 1982 Mayflower Hotel N.Y (signed) is estimated to be worth between £60,000 and £80,000. This photographic print, created in 1982, has shown consistent value growth, with an auction history of three total sales since its entry to the market on 15th February 2012. The edition size of this artwork is limited to 20.

Created with Highcharts 11.4.8Feb 2012Jan 2013Jan 2014Dec 2014Nov 2015Nov 2016Oct 2017$20,000$22,500$25,000$27,500$30,000$32,500$35,000$37,500© MyArtBroker

Meaning & Analysis

This 1982 print, Sunday Morning Nov 28th Mayflower Hotel, N.Y., by prolific British artist David Hockney belongs to the Photo Collages collection and was released in a limited edition of 20. An example of one of the artist’s many ‘joiner’ images, it eschews the limitations of the camera as a time-based, single-point focused medium. Opting to take many individual photographs of a multitude of details and to arrange them within a single, dynamic composition, here Hockney further develops his innovative approach to image-making. Amongst the many details visible within the ocular scope of the piece is an edition of the New York Times Book Review and the 1982-83 season programme for the Metropolitan Opera – an institution for whom Hockney worked as a stage and costume designer on several occasions (See the Hockney And The Stage series and the 1981 print, Parade (Acrobat)). The presence of Hockney’s hand, complete with its signature gold rings, imbues this piece with a sense of the duration it took to make it; as we notice Hockney’s reflection in the mirror, beamed back to the viewer by way of the camera, we notice that there are in fact three hands visible. Placed at the centre of the composition, Hockney’s two hands clutch the camera in what is a brilliantly executed example of the mise-en-abyme effect. The motif of the mirror recalls the trompe l’œil frames of the print series, A Hollywood Collection, or indeed the drop curtain which is a recurring feature of the artist’s Hockney And The Stage series.

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