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Views Of Hotel Well I - Signed Print by David Hockney 1985 - MyArtBroker

Views Of Hotel Well I
Signed Print

David Hockney

£35,000-£50,000Value Indicator

$70,000-$100,000 Value Indicator

$70,000-$90,000 Value Indicator

¥340,000-¥480,000 Value Indicator

40,000-60,000 Value Indicator

$370,000-$530,000 Value Indicator

¥6,800,000-¥9,720,000 Value Indicator

$45,000-$70,000 Value Indicator

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 75

Year: 1985

Size: H 80cm x W 104cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Views Of Hotel Well I (signed) is estimated to be worth between £35,000 and £50,000. This lithograph print, created in 1985, has shown consistent value growth, with an average annual growth rate of 1%. This work has an auction history of 15 total sales since its entry to the market on 18th October 2005. In the past 12 months, the hammer price has ranged from £43,213 in January 2024 to £92,662 in May 2021. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2024Lama United States
May 2021Sotheby's New York United States
July 2019Christie's New York United States
October 2018Phillips New York United States
March 2017Christie's London United Kingdom
October 2015Christie's New York United States
September 2015Christie's London United Kingdom

Meaning & Analysis

View Of Hotel Well I is a signed lithograph print by British artist, David Hockney. Together with View Of Hotel Well II and III, it depicts the inner courtyard of the Hotel Acatlán in Mexico, which Hockney visited in 1984. Casting a multi-perspectival lens over the scene – in this case, his eye – Hockney renders his vision in bright complementary colours. Depicting his static subject exactly how he perceives it, this work recalls another depicting a similar subject matter, the muted piece Mexican Hotel Garden, produced in the previous year. In 1985, Hockney had a new hearing aid fitted. Commenting on its benefits, he once remarked, ‘Music is more alive again and sounds seem spatial, and made me think that over the last years to compensate for my muffled ears I developed a strong visual space sense I say this because I’m very aware I seem to see in another way that has to do with noticing movement of the eye (time) and perception of space’. Certainly, in this print there is both a dynamic musicality to the artist’s choice of colour, and a vibrant, perspective-bending approach to space that is testimony to the artist’s unconventional way of seeing and absorbing the world.

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