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Bowl Of Fruit - Signed Print by David Hockney 1986 - MyArtBroker

Bowl Of Fruit
Signed Print

David Hockney

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Digital Print

Edition size: 46

Year: 1986

Size: H 28cm x W 22cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Bowl Of Fruit (signed) is estimated to be worth between £9,000 and £13,500. This digital print artwork, created in 1986, has shown consistent value growth, with an average annual growth rate of 4%. This work has an auction history of four total sales, since its entry to the market on 16th March 2021. The hammer price over the past 12 months has ranged from £7,500 on 1st December 2021 to £13,000 on 13th September 2022. The average return to the seller over the past five years has been £7,769. The edition size of this artwork is limited to 46.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2022Phillips London United Kingdom
December 2021Bonhams New Bond Street United Kingdom
September 2021Forum Auctions London United Kingdom
March 2021Sotheby's Online United Kingdom

Meaning & Analysis

The titular bowl consists of five straight lines arranged into an abstract, geometrical form, defying the conventional curved shape. To represent fruits, Hockney used mostly monochrome paper cut-outs. The abstracted cut-out forms contrast with a small-size figurative representation of grapes in the middle of the bowl. Green dots and a checked pattern surround the fruits, endowing the image with a playfully idiosyncratic character. Considering Hockney’s choice of colours, the print can be seen as yet another example of the artist’s intense dialogues with the tradition. On a number of occasions, Hockney referred to red, blue, and green as 'the colours of Matisse'. The artist’s use of exclusively these colours alongside the flattened, poster-like forms and patterns evokes Henri Matisse’s works, especially the environmental mural The Parakeet And The Mermaid (1952). Hockney makes the French artist’s legacy strongly present in the print through his choice of colour, shapes, and perspective.