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Ciclopirox Olamine - Signed Print by Damien Hirst 2004 - MyArtBroker

Ciclopirox Olamine
Signed Print

Damien Hirst

£4,800-£7,000Value Indicator

$10,000-$14,500 Value Indicator

$9,000-$13,000 Value Indicator

¥45,000-¥70,000 Value Indicator

€5,500-€8,000 Value Indicator

$50,000-$70,000 Value Indicator

¥950,000-¥1,390,000 Value Indicator

$6,500-$9,500 Value Indicator

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115 x 113cm, Edition of 145, Aquatint

Medium: Aquatint

Edition size: 145

Year: 2004

Size: H 115cm x W 113cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

4 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Dawsons, Berkshire
United Kingdom
N/A
N/A
N/A
November 2024
Bonhams New Bond Street
United Kingdom
September 2024
Christie's London
United Kingdom
March 2024
Christie's London
United Kingdom
October 2016
Christie's London
United Kingdom
September 2016
Sotheby's Online
United Kingdom
May 2016
Christie's London
United Kingdom
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Track auction value trend

The value of Damien Hirst’s Ciclopirox Olamine, an aquatint artwork from 2004, is estimated to be worth between £4,800 and £7,000 (signed). Over the past 12 months, the average selling price was £5,200 across 3 total sales. In the last five years, the hammer price has ranged from £4,200 in April 2025 to £11,000 in March 2024. This artwork has shown consistent value growth, with an average annual growth rate of 2%. Since its initial sale in April 2008, Ciclopirox Olamine has been sold 17 times at auction. The edition size of this artwork is limited to 145.

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Meaning & Analysis

Stretching as far back as 1986, the spot paintings thematically recur throughout Hirst’s career in a number of artistic mediums and were first displayed at the landmark group show Freeze in London’s Docklands. This print is markedly different from Hirst’s more famous spot paintings, notably in the use of a muted colour palette and in its circular rather than squared composition.

Discussing the spot aesthetic, Hirst has proclaimed “I believe all painting and art should be uplifting for the viewer. I love colour. I feel it inside me. It gives me a buzz.” At his best, Hirst packs multiple layers into the seemingly simple and Ethidium Bromide Aqueous Solution is no exception. The print recalls the absurdity of Dada and gently mocks the processes of pointillism. Hirst employed a large number of technicians and assistants to create many of the spot works to match the scale of his ambition.