£7,500-£11,000Value Indicator
$16,000-$23,000 Value Indicator
$14,000-$20,000 Value Indicator
¥70,000-¥110,000 Value Indicator
€8,500-€13,000 Value Indicator
$80,000-$120,000 Value Indicator
¥1,490,000-¥2,190,000 Value Indicator
$10,000-$15,000 Value Indicator
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
127 x 103cm, Edition of 75, Digital Print
Medium: Digital Print
Edition size: 75
Year: 2005
Size: H 127cm x W 103cm
Signed: Yes
Format: Signed Print
Last Auction: September 2023
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Pharmaceuticals is an inkjet print from 2005 by Damien Hirst, published in an edition of 75. The print shows several rows of pills on display in a medical cabinet, rendered in saturated colours and in photographic detail. Using the medical pill as a central motif to this work, Hirst explores themes of life and death in contemporary society in this mixed media print.
As with many of Hirst’s most famous works, Pharmaceuticals foregrounds the artist’s preoccupation with the human condition. Disrupting any binary discussion of life and death through the ambivalent symbol of the medical pill, Hirst in this print brings sickness, health, addiction and rehabilitation into dialogue with one another. For Hirst, the display of pills represents a state of mind and the way that the contemporary individual has the ability to control feelings in body and mind through modern medicine.
This print is reminiscent of Hirst’s earliest pill cabinet work The Void from 2000. Notably this print depicts the mirrored back of the cabinet that works to produce a visually complexing and highly aestheticized art object. Editioned prints such as Pharmaceuticals embody Hirst’s artistic oeuvre that interrogates the intersections between the scientific and the artistic, that are wrongly assumed to be oppositional in contemporary culture.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.