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Mortuary - Signed Print by Damien Hirst 2005 - MyArtBroker

Mortuary
Signed Print

Damien Hirst

£1,500-£2,250Value Indicator

$3,100-$4,700 Value Indicator

$2,800-$4,200 Value Indicator

¥14,500-¥22,000 Value Indicator

€1,750-€2,600 Value Indicator

$16,000-$24,000 Value Indicator

¥300,000-¥450,000 Value Indicator

$2,050-$3,050 Value Indicator

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84 x 124cm, Edition of 75, Digital Print

Medium: Digital Print

Edition size: 75

Year: 2005

Size: H 84cm x W 124cm

Signed: Yes

Format: Signed Print

Last Auction: March 2019

Value Trend:

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2019
Christie's London
United Kingdom
N/A
N/A
N/A
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The value of Damien Hirst's Mortuary (signed) is estimated to be worth between £1,500 and £2,250. This digital print artwork, created in 2005, has an auction history of one sale on 21st March 2019. The average annual growth rate of this work is 11%. The edition size of this artwork is limited to 75.

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Meaning & Analysis

Hirst produced the digital print, Mortuary, to unsettle. The stillness of the image provokes an awkwardness in the viewer. They are gazing upon a mortuary that is eerily clean and empty. The absence of any figures, coupled with the viewer’s knowledge that there have been and will be figures placed on that counter, makes the work particularly unsettling. There is a sense that the picture represents a functioning mortuary which is in use. This makes the tension caused by the absence of any figures more heightened.

This work, which explores the presence of death was related to his 2003 oil painting of the same name. The painting, which belonged to the Fact series evoked the sense that it was a photograph. Consequently, Hirst could produce digital prints of similar topics that were very close in visual effect to the oil painting. Between April and May 2021 Gagosian, London, exhibited sculptures and paintings from the Fact series. The exhibition illustrated, amongst other things, Hirst’s fascination with death. The presence of a cow’s head, the French Nuclear Test painting, and many other works evoke a sense of disaster, destruction and death.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.