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Grace Kelly (F. & S. II.305) - Signed Print by Andy Warhol 1984 - MyArtBroker

Grace Kelly (F. & S. II.305)
Signed Print

Andy Warhol

£100,000-£150,000Value Indicator

$210,000-$310,000 Value Indicator

$180,000-$280,000 Value Indicator

¥970,000-¥1,460,000 Value Indicator

120,000-170,000 Value Indicator

$1,070,000-$1,600,000 Value Indicator

¥19,880,000-¥29,820,000 Value Indicator

$140,000-$200,000 Value Indicator

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102 x 81cm, Edition of 225, Screenprint

Medium: Screenprint
Edition size: 225
Year: 1984
Size: H 102cm x W 81cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Phillips New York
United States
$100,000
$120,000
$150,000
March 2025
Sotheby's London
United Kingdom
October 2024
Christie's New York
United States
October 2024
Sotheby's New York
United States
October 2024
Bonhams Los Angeles
United States
October 2023
Christie's New York
United States
April 2023
Christie's New York
United States
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Track auction value trend

The value of Andy Warhol's Grace Kelly (F. & S. II.305) is estimated to be worth between £100,000 and £150,000. This signed screenprint, created in 1984, has shown consistent value growth, with an annual average growth rate of 9%. This work has an impressive auction history, having been sold 38 times at auction since its initial sale on 3rd November 1998. Over the past 12 months, the average selling price was £107,359, across a total of 5 sales. In the last five years, the hammer price has ranged from £76,397 in October 2020 to £156,785 in October 2022. The edition size of this artwork is limited to 225.

Created with Highcharts 11.4.8Apr 2023Aug 2023Dec 2023Apr 2024Aug 2024Dec 2024Apr 2025$80,000$90,000$100,000$110,000$120,000$130,000$140,000$150,000$160,000© MyArtBroker

Meaning & Analysis

Completed just two years after her tragic death from a car accident, this portrait sits in within the Warholian tradition of depicting quintessential American celebrity icons posthumously. Kelly is memorialised as an icon of popular culture by Warhol through his renowned screen printing technique. Warhol’s use of vivid colours and simplified form replicates the kitsch aesthetic of mass consumer products and works to emphasise the thin veneer of Kelly’s beauty and fame.

Comparable to his portraits from the 1960s such as Marilyn (1967) and Liz (1964) that exemplify Warhol’s infatuation with the concept of stardom and celebrity culture, this later print makes a departure in graphic style. With his use of luminous colour, the blue backdrop and bright yellow hair, and multicoloured lines that contour Kelly’s portrait, Warhol creates a glossy surface to the print, mimicking the visual language of 1980s magazines.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.