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General Custer (F. & S. II.379) - Signed Print by Andy Warhol 1986 - MyArtBroker

General Custer (F. & S. II.379)
Signed Print

Andy Warhol

£45,000-£70,000Value Indicator

$90,000-$150,000 Value Indicator

$80,000-$130,000 Value Indicator

¥440,000-¥680,000 Value Indicator

€50,000-€80,000 Value Indicator

$480,000-$750,000 Value Indicator

¥8,960,000-¥13,930,000 Value Indicator

$60,000-$100,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1986

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Christie's New York
United States
N/A
N/A
N/A
October 2024
Doyle Auctioneers & Appraisers
United States
March 2024
A.N. Abell Auction Company
United States
October 2023
Bonhams New York
United States
September 2022
Bonhams Skinner
United States
October 2020
Larsen Gallery
United States
January 2020
Larsen Gallery
United States
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Track auction value trend

The value of Andy Warhol’s General Custer (F. & S. II.379) is estimated to be worth between £45,000 and £70,000. This signed screenprint, created in 1986, has shown consistent value growth, with an average annual growth rate of 8%. This work has an impressive auction history, having been sold 20 times at auction since its entry to the market in June 2005. In the last 12 months, the average selling price was £46,324, with a total sales volume of 2. Over the past five years, the hammer price has ranged from £32,210 in October 2020 to £53,247 in September 2022. The average return to the seller over this period has been £38,803. The edition size of this artwork is limited to 250.

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Meaning & Analysis

General Custer (F. & S. II.379) is one of ten graphic screen prints, printed on Lenox Museum Board, that compose the Cowboys And Indians series. In this series, Warhol typically takes archetypal figures and objects that capture America’s romanticised vision of the American West. The choice of subject in this print, General Custer, who was responsible for a large part of the destruction of Native American land can be seen as emblematic of the way in which America’s actions in the West were glorified in the cultural imaginary. Indeed, as opposed to portraying Native Americans and Cowboys in their historical landscape, Warhol makes a concentrated effort to portray a popular version of the West, the version familiar to everyone who had watched Western films and TV shows.

The print was made using Warhol's signature screen printing method. The screen printing technique is known for its capacity to mass-produce imagery to be widely distributed. The technique mirrors the way in which images of the West were disseminated across America in popular culture, thus highlighting the distorted vision of history obtained through its depictions in popular culture.

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