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Annie Oakley (F. & S. II.378) - Signed Print by Andy Warhol 1986 - MyArtBroker

Annie Oakley (F. & S. II.378)
Signed Print

Andy Warhol

£70,000-£100,000Value Indicator

$150,000-$210,000 Value Indicator

$130,000-$190,000 Value Indicator

¥680,000-¥980,000 Value Indicator

€80,000-€120,000 Value Indicator

$750,000-$1,070,000 Value Indicator

¥13,930,000-¥19,900,000 Value Indicator

$100,000-$140,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1986

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

21% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Doyle Auctioneers & Appraisers
United States
£73,567
£86,549
£109,051
September 2023
Sotheby's London
United Kingdom
October 2019
Sotheby's New York
United States
July 2018
Sotheby's London
United Kingdom
March 2018
Sotheby's London
United Kingdom
November 2016
Christie's New York
United States
April 2016
Phillips New York
United States
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Track auction value trend

The value of Andy Warhol’s Annie Oakley (F. & S. II.378) is estimated to be worth between £70,000 to £100,000. This signed screenprint, created in 1986, has shown consistent value growth, with an average annual growth rate of 18%. Over the past 12 months, the artwork has sold once at auction for an average selling price of £86,549. In the last five years, the hammer price has ranged from £42,333 in September 2023 to £86,549 in October 2024. Since its first sale in June 2001, this piece has been sold 11 times, demonstrating its popularity in the market. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Apr 2016Sep 2017Feb 2019Jul 2020Dec 2021May 2023Oct 2024£60,000£70,000£80,000£90,000£100,000£110,000£120,000© MyArtBroker

Meaning & Analysis

Warhol makes a political comment on the way in which mass-produced and idealised images of national history in popular culture can alter and sometimes be a detriment to the understanding of that history. Appropriating a highly recognisable image of Oakley, Warhol’s portrait is stripped of its historical context through the use of luminous colours and removal of the original image’s background. The image shows Oakley ready for a performance, donning a hat and adorned with a multitude of medals, thus focusing on her fame rather than her person or historical significance.

Produced by the screen print process and rendered in a kaleidoscope of colour, Warhol draws attention to the fabricated and mass-produced nature of Oakley’s public image that has come to be symbolic of the American West. In Warhol’s renowned Pop Art style, Oakley is depicted here as a legendary pop culture icon, rather than as a historical figure.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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