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Annie Oakley (F. & S. II.378) Signed Print
Andy Warhol: Annie Oakley (F. & S. II.378) - Signed Print

Annie Oakley (F. & S. II.378)

Andy Warhol

Annie Oakley (F. & S. II.378) - Signed Print by Andy Warhol 1986 - MyArtBroker

Annie Oakley (F. & S. II.378)
Signed Print

Andy Warhol

£40,000-£60,000

$80,000-$120,000 Value Indicator

$70,000-$110,000 Value Indicator

¥370,000-¥550,000 Value Indicator

€50,000-€70,000 Value Indicator

$400,000-$610,000 Value Indicator

¥7,910,000-¥11,870,000 Value Indicator

$50,000-$80,000 Value Indicator

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1986

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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3 in network
11 want this
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The value of Andy Warhol’s Annie Oakley (F. & S. II.378) is estimated to be worth between £40,000 to £60,000. This signed screenprint, created in 1986, has shown consistent value growth, with an average annual growth rate of 7%. This work has an auction history of 10 total sales since its entry to the market in June 2001. The edition size of this artwork is limited to 250.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
September 2023Sotheby's London - United KingdomAnnie Oakley (F. & S. II.378) - Signed Print
October 2019Sotheby's New York - United StatesAnnie Oakley (F. & S. II.378) - Signed Print
July 2018Sotheby's London - United KingdomAnnie Oakley (F. & S. II.378) - Signed Print
March 2018Sotheby's London - United KingdomAnnie Oakley (F. & S. II.378) - Signed Print
November 2016Christie's New York - United StatesAnnie Oakley (F. & S. II.378) - Signed Print
April 2016Phillips New York - United StatesAnnie Oakley (F. & S. II.378) - Signed Print
October 2014Doyle Auctioneers & Appraisers - United StatesAnnie Oakley (F. & S. II.378) - Signed Print

Meaning & Analysis

Andy Warhol’s print Annie Oakley (F. & S. II. 378) from his Cowboys And Indians series (1986) is a portrait of the famous American exhibition shooter and sharpshooter who starred in Buffalo Bill’s Wild West show. The series encapsulates America’s romanticised vision of the American West in popular culture, as it is depicted literature, film, and television.

Warhol makes a political comment on the way in which mass-produced and idealised images of national history in popular culture can alter and sometimes be a detriment to the understanding of that history. Appropriating a highly recognisable image of Oakley, Warhol’s portrait is stripped of its historical context through the use of luminous colours and removal of the original image’s background. The image shows Oakley ready for a performance, donning a hat and adorned with a multitude of medals, thus focusing on her fame rather than her person or historical significance.

Produced by the screen print process and rendered in a kaleidoscope of colour, Warhol draws attention to the fabricated and mass-produced nature of Oakley’s public image that has come to be symbolic of the American West. In Warhol’s renowned Pop Art style, Oakley is depicted here as a legendary pop culture icon, rather than as a historical figure.

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