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Liz (F. & S. II.7) - Signed Print by Andy Warhol 1964 - MyArtBroker

Liz (F. & S. II.7)
Signed Print

Andy Warhol

£24,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$60,000 Value Indicator

¥230,000-¥340,000 Value Indicator

€28,000-€40,000 Value Indicator

$250,000-$370,000 Value Indicator

¥4,760,000-¥6,940,000 Value Indicator

$30,000-$45,000 Value Indicator

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58 x 58cm, Edition of 300, Lithograph

Medium: Lithograph

Edition size: 300

Year: 1964

Size: H 58cm x W 58cm

Signed: Yes

Format: Signed Print

Last Auction: June 2025

Value Trend:

-8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Bonhams New Bond Street
United Kingdom
$19,000
$22,000
$28,000
May 2025
Lempertz, Cologne
Germany
June 2024
Lempertz, Cologne
Germany
May 2024
Bonhams New York
United States
April 2024
Christie's New York
United States
March 2024
Bonhams Los Angeles
United States
March 2024
Sotheby's London
United Kingdom
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Track auction value trend

The value of Andy Warhol's Liz (F. & S. II.7) (signed) is estimated to be worth between £24,000 and £35,000. This lithograph print, created in 1964, has an auction history of 114 total sales since its entry to the market on 3rd November 1999. In the last 12 months, the artwork has sold twice, with an average selling price of £18,624. Over the past five years, the hammer price has ranged from £16,000 in June 2025 to £71,616 in April 2022. The average annual growth rate of this work is currently -8%. The edition size of this artwork is limited to 300.

Created with Highcharts 11.4.8Mar 2024May 2024Aug 2024Oct 2024Jan 2025Mar 2025Jun 2025$15,000$17,500$20,000$22,500$25,000$27,500$30,000© MyArtBroker

Meaning & Analysis

The print shows an image of Taylor based on a publicity photograph from the late 1950s for her film Butterfield 8 tightly cropped and coloured with a bright red background that contours Taylor’s thick, dark hair. With this print, Warhol came to realise the power of his simplified, graphic depictions of immeasurable celebrity, fleeting mortality and unrelenting mass-media, thus inspiring his famed depictions of Marilyn Monroe that took on a similar style.

Exploring the image in a multitude of colours throughout the series Warhol said of his screen printing method, ‘you get the same image, slightly different each time. It was all so simple – quick and chancy. I was thrilled with it.’ The repetition of a single image across the entire series explores the concept of democratising high art and mimics the appearance of prolific mass-media imagery. Alongside Warhol’s use of vivid non-naturalistic colours, the series points to the excessiveness of celebrity culture and the hollowness of fame.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.