£1,000-£1,550
$1,950-$3,050 Value Indicator
$1,800-$2,800 Value Indicator
¥9,500-¥14,500 Value Indicator
€1,200-€1,850 Value Indicator
$10,000-$16,000 Value Indicator
¥200,000-¥310,000 Value Indicator
$1,300-$2,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 100
Year: 2011
Size: H 28cm x W 32cm
Signed: Yes
Format: Signed Print
TradingFloor
Watch artwork, manage valuations, track your portfolio and return against your collection
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
August 2024 | Tate Ward Auctions - United Kingdom | Beautiful Girl - Signed Print | |||
October 2023 | Tate Ward Auctions - United Kingdom | Beautiful Girl - Signed Print | |||
October 2023 | Tate Ward Auctions - United Kingdom | Beautiful Girl - Signed Print | |||
September 2021 | Bonhams Knightsbridge - United Kingdom | Beautiful Girl - Signed Print | |||
June 2021 | Phillips London - United Kingdom | Beautiful Girl - Signed Print | |||
September 2020 | Phillips London - United Kingdom | Beautiful Girl - Signed Print | |||
January 2020 | Phillips London - United Kingdom | Beautiful Girl - Signed Print |
Produced in 2011, this etching is typical of Tracey Emin’s spontaneous and fluid style. Emin’s Beautiful Girl is captured here in profile, with three eyes unusually positioned about her face in a Cubist-inspired style. Through her loose mark making and quick application of ink, the monochromatic print is given a lively and textural quality.
This simple black ink etching is testament to Emin’s constant experimentation across media, while staying true to her distinctive and impulsive style. The loosely executed portrait of this Beautiful Girl has a Picasso-esque appeal by capturing the sitter in profile, with her eyes abstracted and unusually placed. The work is just one instance of Emin’s constantly mutating style, and her unrelenting exploration of femininity and womanhood.