The World's Largest Modern & Contemporary Prints & Editions Platform
Water Lilies – Pink Flower - Signed Print by Roy Lichtenstein 1992 - MyArtBroker

Water Lilies – Pink Flower
Signed Print

Roy Lichtenstein

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

106 x 77cm, Edition of 20, Screenprint

Medium: Screenprint

Edition size: 20

Year: 1992

Size: H 106cm x W 77cm

Signed: Yes

Format: Signed Print

Last Auction: February 2015

TradingFloor

1 in network
1 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2015
Wright
United States
£46,845
£55,112
£68,890
November 2011
Sotheby's New York
United States
April 2008
Christie's London
United Kingdom
November 2007
Christie's New York
United States
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Roy Lichtenstein’s Water Lilies – Pink Flower (signed) from 1992 is estimated to be worth between £120,000 and £180,000. This screenprint, created in 1992, has been sold 4 times at auction since its initial sale on 14th November 2007. There have been no sales in the last 12 months or the last five years. The edition size of this artwork is limited to 20.

Created with Highcharts 11.4.8Nov 2007Jan 2009Apr 2010Jul 2011Sep 2012Nov 2013Feb 2015£35,000£40,000£45,000£50,000£55,000£60,000£65,000£70,000£75,000© MyArtBroker

Meaning & Analysis

In Water Lilies – Pink Flower, Lichtenstein’s use of swirled reflective panels, layered forms, vertical panels of Ben Day dots, and diagonal lines combine to create the composition. The visuals suggest movement, light and shadow. Water Lilies - Pink Flower demonstrates Lichtenstein’s innovative approach to printing processes and materials. When creating his Water Lilies, the artist was also inspired by the dashboards of 1920s and 1930s cars.

While restricting himself to a language of formal elements, Lichtenstein innovatively experimented with enamel, Plexiglas, Mylar, and Rowlux. In a labour-intensive process, a drill press was suspended upside down from the ceiling and fitted with a round slug of shoe rubber. Each swirl was then created individually using a new rubber slug, in order to ensure all swirls were rendered with the same crisp precision and uniformity.