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Untitled Head - Signed Print by Roy Lichtenstein 1995 - MyArtBroker

Untitled Head
Signed Print

Roy Lichtenstein

£21,000-£30,000Value Indicator

$45,000-$60,000 Value Indicator

$40,000-$60,000 Value Indicator

¥200,000-¥290,000 Value Indicator

24,000-35,000 Value Indicator

$220,000-$310,000 Value Indicator

¥3,970,000-¥5,670,000 Value Indicator

$28,000-$40,000 Value Indicator

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 75

Year: 1995

Size: H 34cm x W 40cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Roy Lichtenstein’s Untitled Head (signed) is estimated to be worth between £21,000 and £30,000. Over the past 12 months, the average selling price was £24,233, across 2 total sales. In the last five years, the hammer price has varied from £19,584 in April 2025 to £28,882 in October 2024. This artwork has shown consistent value growth, with an average annual growth rate of 5%. This screenprint has an auction history of 13 total sales since its entry to the market in April 2006. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2025Bonhams Los Angeles United States
October 2024SBI Art Auction Japan
March 2022Bonhams Los Angeles United States
October 2021Christie's New York United States
April 2021Phillips New York United States
April 2018Phillips New York United States
June 2016Phillips London United Kingdom

Meaning & Analysis

Akin to Art Critic from one year prior, Untitled Head reveals a rigorously calculated composition. The work is thematically aligned with Lichtenstein’s cartoon heroines, while its formal qualities parallel the artist’s Surrealist series. The print presents a deconstructed portrait of a closely cropped female face. The artist composes her features entirely out of streaks of blue dots and white and bright yellow stripes. He frames the figure’s splintered attributes in blonde locks of wavy hair. Her nose is depicted in profile, and while her right eye stares directly at the beholder, the left one has disintegrated and is floating upward.

Black delineating lines are prominent in Untitled Head, along with saturated pigments and stylised appropriations of fundamental cubist and surrealist shapes. Lichtenstein takes advantage of the familiarity of these elements, shuffling the woman’s facial features around to rid the image of dimensionality. Utilising the flattened picture plane, Lichtenstein juxtaposes content versus style. The result the viewer is left with is an absurd scene brimming with humor and irony.