Explosion
Explosion
Signed Print
Roy Lichtenstein
£10,500-£16,000
$21,000-$30,000 Value Indicator
$19,000-$28,000 Value Indicator
¥90,000-¥140,000 Value Indicator
€12,500-€19,000 Value Indicator
$100,000-$150,000 Value Indicator
¥2,000,000-¥3,040,000 Value Indicator
$13,000-$19,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 100
Year: 1967
Size: H 56cm x W 43cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | Bonhams Los Angeles | United States | |||
| March 2023 | Bonhams Los Angeles | United States | |||
| October 2022 | Phillips New York | United States | |||
| April 2021 | Phillips New York | United States | |||
| October 2019 | Freeman's | United States | |||
| April 2018 | Phillips New York | United States | |||
| September 2016 | Christie's New York | United States |
Meaning & Analysis
Explosion by Roy Lichtenstein is both a tribute to comic book imagery and a critical reflection on warfare. In this early print from 1967, the artist inserts cartoon visuals into a fine art context. Executed as a signed offset lithograph in brilliant colours, the work is part of a limited edition of 100.
Beginning in the early 1960s, Roy Lichtenstein began borrowing images of explosions from popular war comics for use in his paintings. He was interested in the way dynamic events like explosions were depicted in the stylised format of cartoon illustrations. On the one hand, the subject matter embodies the revolutionary nature of Pop Art. At the same time, the topic suggests the very real threat of annihilation by a nuclear explosion that was prevalent at that time.
Executed as part of Portfolio 9 in 1967, Explosion pays tribute to the mass-produced perfection of its commercial source material. Lichtenstein refines and enlarges his shape to fit a fine art context, obscuring the border between different modes and hierarchies of representation. The artist combines vivid primary colours, harsh black outlines, and carefully plotted Ben Day dots in his portrayal of a perfectly calculated explosion.
The work functions as a reaction against the pretensions of art history and as a critical reflection on warfare. Similar to Lichtenstein’s explosive Whaam! and As I Opened Fire, the work is also a nod to the artist’s own years spent in the army. Explosion showcases the artist’s striking formal vocabulary, making this work a typical example of his creative oeuvre.