Roy Lichtenstein's Nudes is a seminal series by the Pop artist that investigates the nude genre.
This series relates to Lichtenstein’s earlier works.
In 1994, Lichtenstein came full circle with his Nudes series, returning to his cartoon heroines from the 1960s to interrogate the Nude genre itself.
These nudes are not depicted from life.
Rather than capturing the bodies of live models, the artist decided to fabricate the female figures himself. Consequently, he sourced their physical female attributes from his extensive archive of comic strips and movie stills.
Lichtenstein used stencils to create these nudes.
Lichtenstein’s Nudes were composed using hand-cut as well as computer-generated dye-cut stencils.
This series is self-referential.
The Nudes relate to previous compositions from Lichtenstein’s creative output, including Reflections, Mirrors, Interiors and his Imperfect series. The artist sneakily integrates motifs and objects borrowed from these past series, assimilating them as part of the interior.
The Nudes series takes inspiration from art history.
The artist also took inspiration from two of art history’s most famous modern masters, Pablo Picasso and Henri Matisse. Accordingly, his Nudes abstracted the female body to its simplest and most essential form.
There is one key difference between these Nude women and Lichtenstein’s original heroines.
These leading ladies in the Nudes series are all portrayed on their own, or with another female companion. The leading men who accompanied Lichtenstein’s distressed heroines of the 1960s are altogether absent from this series.
Lichtenstein reforms his famous Ben Day dots in this series.
It is clear that Lichtenstein utilises a familiar, yet reformed pictorial language in his Nudes. The artist tightly clusters his Ben Day dots in certain parts of the picture as a means to denote shadow.
The Nudes series is indicative of Lichtenstein’s play with three-dimensional and two-dimensional representation.
Lichtenstein models his Nudes with heightened dimensionality, contrasting their curvilinear torso’s to the geometric and figurative elements of their interiors. As such, the prints oscillate between realistic, three-dimensional representation and decorative, two-dimensional patterning.
This series was created in the latter stages of Lichtenstein’s career.
Produced in 1994, this series showcases a perfect distillation of Lichtenstein’s graphic lexicon, revealing an artist in complete mastery of his craft.
The record price for an original Nudes painting is US$ 46.2 million.
Going under the hammer for an enormous US$ 46.2 million, Nude with Joyous Painting (1994) is the most expensive of the Nude paintings by Lichtenstein. The work sold at Christie’s New York on 10th July 2020.
