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Blonde Girl - Signed Print by Lucian Freud 1985 - MyArtBroker

Blonde Girl
Signed Print

Lucian Freud

£8,000-£12,000Value Indicator

$17,000-$25,000 Value Indicator

$15,000-$22,000 Value Indicator

¥80,000-¥120,000 Value Indicator

9,500-14,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,590,000-¥2,380,000 Value Indicator

$11,000-$16,000 Value Indicator

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88 x 71cm, Edition of 50, Etching

Medium: Etching
Edition size: 50
Year: 1985
Size: H 88cm x W 71cm
Signed: Yes
Format: Signed Print
Last Auction: December 2023
Value Trend:
-14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2023
Bonhams New Bond Street
United Kingdom
$13,000
$15,000
$19,000
May 2023
Dorotheum, Vienna
Austria
December 2018
Bonhams New Bond Street
United Kingdom
October 2017
Phillips New York
United States
September 2017
Sotheby's London
United Kingdom
March 2017
Sotheby's New York
United States
September 2016
Sotheby's London
United Kingdom
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Track auction value trend

The value of Lucian Freud’s Blonde Girl (signed) is estimated to be worth between £8,000 and £12,000. This artwork has shown consistent value growth, with an average annual growth rate of 3%. Over the past 12 months, there have been no sales. However, within the last five years, the hammer price has varied from £12,000 in December 2023 to £22,096 in May 2023. This work is a rare etching from 1985 and is part of a limited edition of 50.

Created with Highcharts 11.4.8Sep 2016Nov 2017Feb 2019Apr 2020Jul 2021Sep 2022Dec 2023$10,000$12,000$14,000$16,000$18,000$20,000© MyArtBroker

Meaning & Analysis

Though he was not always an avid depicter of nudes, Lucian Freud increasingly turned his attention to what he referred to as Naked Portraits from the mid-1960s. These works are less grounded in a voyeuristic perception of the female nude, but more-so in Freud's view that every single facet of the sitter's body was as important as their face in a portrait. In Blond Girl, Freud has built intense tonality around the sitter's face, highlighting her pensive expression. This detailing of expression is extended to her body, as he pays particular attention to the way her arm rests on an invisible surface.

Though the identity of this unnamed sitter is unknown, we can observe in Blond Girl a psychological bond between sitter and artist so typical of Freud's work. By observing his subjects for sometimes hundreds of hours, Freud truly understood the behaviour of his sitters and connected with them through conversation and his unwavering gaze.

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