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Suzanna - Signed Print by Lucian Freud 1996 - MyArtBroker

Suzanna
Signed Print

Lucian Freud

£4,500-£6,500Value Indicator

$9,500-$13,500 Value Indicator

$8,500-$12,000 Value Indicator

¥45,000-¥60,000 Value Indicator

€5,500-€7,500 Value Indicator

$45,000-$70,000 Value Indicator

¥850,000-¥1,230,000 Value Indicator

$6,000-$8,500 Value Indicator

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30 x 30cm, Edition of 40, Etching

Medium: Etching

Edition size: 40

Year: 1996

Size: H 30cm x W 30cm

Signed: Yes

Format: Signed Print

Last Auction: October 2023

Value Trend:

-10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Christie's New York
United States
$6,500
$7,500
$9,500
August 2023
Smith & Singer, Woollahra
Australia
October 2015
Phillips London
United Kingdom
March 2012
Christie's London
United Kingdom
February 2012
Christie's London
United Kingdom
March 2011
Sotheby's London
United Kingdom
January 2007
Lyon & Turnbull Edinburgh
United Kingdom
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Track auction value trend

The value of Lucian Freud’s Suzanna (signed), created in 1996, is estimated to be worth between £4,500 and £6,500. This etching print has shown a consistent value growth over the past five years, with the hammer price ranging from £6,186 in October 2023 to £9,159 in August 2023. This artwork has an average annual growth rate of 6% and an auction history of 8 total sales since its entry to the market in March 2005. The edition size of this artwork is limited to 40.

Created with Highcharts 11.4.8Jan 2007Oct 2009Aug 2012May 2015Mar 2018Dec 2020Oct 2023$5,000$6,000$7,000$8,000$9,000$10,000© MyArtBroker

Meaning & Analysis

In Lucian Freud's Suzanna, the etched lines vary from fine, curved strokes through the hair to darker, denser hatching around the eyes and nose. The result is a face built through tone as much as structure. There’s a quiet tension in the sitter’s pose and expression, which Freud renders without embellishment or sentiment. Like much of his work in print, Suzanna reflects his sustained engagement with the individual in front of him: unidealised, closely observed, and entirely grounded in the moment of sitting.