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The Valley Page 11 - Signed Print by Keith Haring 1989 - MyArtBroker

The Valley Page 11
Signed Print

Keith Haring

£2,850-£4,300Value Indicator

$6,000-$9,000 Value Indicator

$5,500-$8,000 Value Indicator

¥27,000-¥40,000 Value Indicator

€3,300-€4,950 Value Indicator

$30,000-$45,000 Value Indicator

¥570,000-¥860,000 Value Indicator

$3,850-$6,000 Value Indicator

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36 x 30cm, Edition of 80, Etching

Medium: Etching

Edition size: 80

Year: 1989

Size: H 36cm x W 30cm

Signed: Yes

Format: Signed Print

Last Auction: October 2023

Value Trend:

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Rago
United States
$3,850
$4,500
$5,500
December 2021
Wright
United States
June 2019
Forum Auctions London
United Kingdom
MyPortfolio
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The value of Keith Haring’s The Valley Page 11 (signed) is estimated to be worth between £2,850 and £4,300. This etching print, created in 1989, has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of three sales since its entry to the market in June 2019. The hammer price over the past five years has ranged from £2,402 in December 2021 to £3,685 in October 2023. The edition size of this artwork is limited to 80.

Created with Highcharts 11.4.8Jun 2019Mar 2020Nov 2020Aug 2021May 2022Jan 2023Oct 2023$3,000$3,500$4,000$4,500$5,000$5,500$6,000© MyArtBroker

Meaning & Analysis

The Valley series is one of many by Haring that when considered in full, tells an unusual story as the sequence of images, combined with text, unfold. Comparable to his Apocalypse series (1988) completed one year earlier, Haring’s images are chaotic and are born from a collaboration with the Beat Era poet and novelist William S. Burroughs, whose text-based ‘cut-up’ method formed the basis of Haring’s pictographic style.

Haring’s later works such as The Valley Page 11 have been compared within art historical narratives to the chaotic storytelling of Hieronymus Bosch and the fierce liveliness of his friend and contemporary Jean-Michael Basquiat. This particular series is representative of a stylistic shift exemplified in his Cranbrook Mural (1987) that introduced intentional blotches, drips and themes around death and the end of times.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change

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