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Stones 3 - Signed Print by Keith Haring 1989 - MyArtBroker

Stones 3
Signed Print

Keith Haring

£12,500-£19,000Value Indicator

$26,000-$40,000 Value Indicator

$23,000-$35,000 Value Indicator

¥120,000-¥180,000 Value Indicator

€14,500-€22,000 Value Indicator

$130,000-$200,000 Value Indicator

¥2,440,000-¥3,720,000 Value Indicator

$17,000-$26,000 Value Indicator

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76 x 56cm, Edition of 60, Lithograph

Medium: Lithograph

Edition size: 60

Year: 1989

Size: H 76cm x W 56cm

Signed: Yes

Format: Signed Print

Last Auction: February 2025

Value Trend:

-14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2025
Bonhams Cornette de Saint Cyr
France
$11,500
$13,500
$17,000
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Track auction value trend

The value of Keith Haring’s Stones 3 (signed) is estimated to be worth between £12,500 and £19,000. This lithograph print, created in 1989, has shown consistent value growth and has an auction history of one sale on 3rd February 2025. The average annual growth rate for this artwork is 7%. In the past 12 months, the average selling price was £10,785, with a total sales volume of 1. Over the past five years, the hammer price has remained steady. The edition size of this artwork is limited to 60.

Created with Highcharts 11.4.8Feb 2025$17,682© MyArtBroker

Meaning & Analysis

Produced as lithographs just one year before he passed away from AIDS-related complications, the works in this series are reminiscent of Haring’s early subway drawings, stealthily executed in white chalk on the black paper panels put up before a new advertisement was pasted in place, with which he made his name.

Stones 3 inverts Haring’s characteristic bold black lines to white to create an elaborate labyrinth or maze made up of his dancing figures’ limbs and concentric circles that could be seen as heads. Though the labyrinth is an enduring symbol of western art since the ancient Greek myth of Theseus and the Minotaur, the work also expresses Haring’s debt to non-western traditions, echoing the bold lines of Pre-Columbian art – especially those of Nazca lines – and aboriginal art. By bringing together these various influences, the Stones series can be seen as the epitome of Haring’s hybrid style that knew no difference between high and low, ancient and modern, east and west.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change