Plate III, Untitled 1 - 6
Plate III, Untitled 1 - 6
Signed Print
Keith Haring
£25,000-£40,000Value Indicator
$50,000-$80,000 Value Indicator
$45,000-$70,000 Value Indicator
¥240,000-¥390,000 Value Indicator
€29,000-€45,000 Value Indicator
$270,000-$430,000 Value Indicator
¥4,930,000-¥7,890,000 Value Indicator
$35,000-$50,000 Value Indicator
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64 x 92cm, Edition of 40, Lithograph
Medium: Lithograph
Edition size: 40
Year: 1982
Size: H 64cm x W 92cm
Signed: Yes
Format: Signed Print
Last Auction: June 2003
Value Trend:
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Meaning & Analysis
Untitled 1982 is a signed lithograph by Keith Haring, released in 1982 in an edition size of 40. While barking dogs and radiant babies are arguably the most recognizable symbols of Haring's visual vocabulary, the scene of crucifixion is particularly prominent motif that ran throughout his work in the 1980s.
Haring’s 1986 work Crucifixion engages directly with the themes of condemnation and suffering, depicting a crucified figure on a piece of German newspaper with the use of a marker pen. The etchings from the late 1980s, in turn, depart from the simplistic silhouettes that populate many of Haring’s works. His 1989 etching Untitled (Crucifixion) represents the human being as feeble and deformed, an ailing victim of cruelty epitomised by crucifixion.
The stigma of public execution is also at the centre of Haring’s 1982 print. Drawing on explicit religious allusions, Untitled 1982 depicts a crucified figure surrounded by barking dogs. Naked and nailed to the cross, the vulnerable subject stands in stark opposition to the dynamic, colourful imagery that Haring’s name is associated with. As such, the work attests to the versatility of the artist whose body of work ranges in tone from witty and optimistic to political and allegory-laden.
Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change