Untitled (KAWS x Brooklyn Museum
Untitled (KAWS x Brooklyn Museum
Signed Print
KAWS
£2,550-£3,800
$5,000-$7,500 Value Indicator
$4,550-$7,000 Value Indicator
¥24,000-¥35,000 Value Indicator
€3,050-€4,600 Value Indicator
$25,000-$40,000 Value Indicator
¥490,000-¥720,000 Value Indicator
$3,250-$4,850 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 2019
Size: H 20cm x W 20cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2023 | Neww Auction | Japan | |||
| June 2023 | Tate Ward Auctions | United Kingdom | |||
| November 2020 | Rago | United States | |||
| November 2020 | Wright | United States | |||
| August 2020 | Christie's New York | United States | |||
| October 2019 | Sotheby's Hong Kong | Hong Kong |
Meaning & Analysis
Untitled (KAWS x Brooklyn Museum) is a signed screen print made by the critically acclaimed American artist and designer KAWS in 2019. Coming in an edition size of 250, the print was produced in conjunction with the Brooklyn Museum Family Party fundraiser in January 2019. In this print, KAWS fills a circle with an array of distinctive graphic shapes. The shapes are rendered in bright colours with green, pink, red and white dominating the print. The shapes are outlined in thick black lines, a characteristic feature of KAWS’ visual language.
Untitled (KAWS x Brooklyn Museum) can be seen alongside various other screen prints which were made for the museum fundraiser event. Each print is handmade and characterised by its unique composition of bold colours. The designs KAWS used in this collection are all derived from previous artworks made by KAWS. The designs are described as recycling ‘outtakes’ from previous screen prints which are then cut down, cropped and edited to make new artworks.
KAWS’ visual style can be traced back to his interest in and experimentation with graffiti and the artist is frequently compared to Keith Haring and Jean-Michel Basquiat, two leading 20th century artists who emerged from the New York City graffiti subculture of the 1980s.