The World's Largest Modern & Contemporary Prints & Editions Platform
The Gallery Staff 3 - Signed Print by Julian Opie 2010 - MyArtBroker

The Gallery Staff 3
Signed Print

Julian Opie

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

58 x 94cm, Edition of 20, Screenprint

Medium: Screenprint
Edition size: 20
Year: 2010
Size: H 58cm x W 94cm
Signed: Yes
Format: Signed Print
Last Auction: September 2020
Track performance and compare this work against others in your collection.Find out how Buying or Selling works

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2020
Phillips London
United Kingdom
N/A
N/A
N/A
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission. By entering your data you consent to our use of your data in accordance with our

Track auction value trend

Julian Opie's The Gallery Staff 3 (signed), a screenprint from 2010, is estimated to be worth between £4,550 and £7,000. This artwork has an auction history of one sale on 10th September 2020. The hammer price of this sale was £4,638. The edition size of this artwork is limited to 20.

Created with Highcharts 11.4.8© MyArtBroker

Meaning & Analysis

The Gallery Staff 3 appears static and formal in its composition, with each figure distanced from the other with no overlap. The two female figures form the centre of the composition facing inwards, one sitting on a chair, and the other kneeling with her chin resting on her hand. Standing on either side are the three men, appearing as though they are in the middle of a conversation.

The Gallery Staff 3 explicitly engages with the 19th century art historical tradition of silhouette portraiture, led by artist Auguste Edouart, whereby the new middle classes would commission family group or individual portraits to record a moment in time. Noting the mundanity of this kind of drawing, Opie has said, “It is one of the most common forms of drawing around, certainly in that period from late 18th to early 20th century. It’s so common it has become boring, and it’s kind of boring anyway in the sense that it does not stray much from reality.”

  • Julian Opie, born in 1958, dances through the contemporary art scene with a distinctive digital allure. A trailblazer of the 1980s New British Sculpture movement, Opie's work is a highly stylised blend of Pop Art and minimalism which navigates the intersection of technology and visual expression. From his early experiments with computer-generated art to his iconic portraits and animated installations, Opie's work exudes a captivating simplicity. His signature style, marked by bold lines and reduced forms, is internationally recognisable and has made him a key player in British contemporary art.

Error loading slider. Please refresh the page.