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Still Life With Aubergines And Cucumber - Signed Print by Julian Opie 2001 - MyArtBroker

Still Life With Aubergines And Cucumber
Signed Print

Julian Opie

£800-£1,200Value Indicator

$1,550-$2,350 Value Indicator

$1,450-$2,150 Value Indicator

¥7,500-¥11,000 Value Indicator

950-1,450 Value Indicator

$8,000-$12,000 Value Indicator

¥160,000-¥240,000 Value Indicator

$1,050-$1,550 Value Indicator

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39 x 65cm, Edition of 40, Digital Print

Medium: Digital Print
Edition size: 40
Year: 2001
Size: H 39cm x W 65cm
Signed: Yes
Format: Signed Print
Last Auction: September 2024
Value Trend:
-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2024
Tate Ward Auctions
United Kingdom
£425
£500
£625
May 2024
Los Angeles Modern Auctions
United States
July 2021
Koller Zurich
Switzerland
June 2010
Bonhams Knightsbridge
United Kingdom
MyPortfolio
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Track auction value trend

The value of Julian Opie's Still Life With Aubergines And Cucumber (signed) is estimated to be worth between £800 and £1,200. This digital print artwork, created in 2001, has shown consistent value growth, with an average annual growth rate of 4%. This work has an auction history of four total sales since its entry to the market in June 2010. In the past 12 months, the average selling price was £1,046, across two sales. Over the last five years, the hammer price has varied from £500 in September 2024 to £2,745 in July 2021. The average annual growth rate is 5%. The edition size of this artwork is limited to 40.

Created with Highcharts 11.4.8Jun 2010Oct 2012Mar 2015Jul 2017Dec 2019May 2022Sep 2024£500£600£700£800£900£1,000£1,100© MyArtBroker

Meaning & Analysis

Still Life With Aubergines And Cucumber is reminiscent of 17th century Dutch still life painting in its allusion to realism and starkly contrasted dark background. Indeed, Opie has been interested in engaging with the traditions of art history throughout his entire career, notably in his works A Pile of Old Masters (1983) and Eat Dirt, Art History (1983). With this print, Opie presents a twenty-first century version of the classic art historical genre through his use of computer technology, saturated colour and simplified form.

Telling of Opie’s key links and reference to 17th century art historical genres and styles, the artists’ work was presented in dialogue with Van Dyck’s self-portrait in the 17th century galleries of the National Portrait Gallery in 2017. Curator at the National Portrait Gallery Catherine MacLeod has said, “Julian Opie’s work references historical portraiture, and has often used compositional devices employed by seventeenth-century artists.”