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Elena And Cressie Get Ready For The Party 4 - Signed Print by Julian Opie 2011 - MyArtBroker

Elena And Cressie Get Ready For The Party 4
Signed Print

Julian Opie

£1,200-£1,800Value Indicator

$2,500-$3,700 Value Indicator

$2,200-$3,300 Value Indicator

¥11,500-¥17,000 Value Indicator

€1,400-€2,100 Value Indicator

$12,500-$19,000 Value Indicator

¥240,000-¥360,000 Value Indicator

$1,600-$2,400 Value Indicator

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78 x 62cm, Edition of 30, Screenprint

Medium: Screenprint

Edition size: 30

Year: 2011

Size: H 78cm x W 62cm

Signed: Yes

Format: Signed Print

Last Auction: April 2023

Value Trend:

-11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2023
SBI Art Auction
Japan
£1,330
£1,565
£1,800
January 2023
Wright
United States
June 2022
Phillips London
United Kingdom
January 2020
Forum Auctions London
United Kingdom
October 2018
Phillips New York
United States
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Track auction value trend

The value of Julian Opie’s Elena And Cressie Get Ready For The Party 4 (signed) is estimated to be worth between £1,200 and £1,800. This screenprint, created in 2011, has shown consistent value growth since its first sale in October 2018. Over the past five years, the hammer price has ranged from £1,565 in April 2023 to £2,000 in June 2022. The average annual growth rate of this artwork is currently at -11%. This work is part of a limited edition of 30.

Created with Highcharts 11.4.8Oct 2018Jul 2019Apr 2020Jan 2021Oct 2021Jul 2022Apr 2023£800£1,000£1,200£1,400£1,600£1,800£2,000© MyArtBroker

Meaning & Analysis

Opie has created this image using digital photography and computer drawing programmes, a creative process he is well versed in and renowned for. Initially Opie captures the sitter through digital photographs so as to get a feel for their personality and point to any crucial details that are integral to their character. He then chooses his favourite images and draws over the individual photographs on the computer to reduce and abstract the original image.

Set against a bright orange and red backdrop, Elena And Cressie Get Ready For The Party 4 has no contextual backdrop to situate the subject. This is typical of Opie’s highly graphic style that aims to confront the viewer with the artificiality of his computer-generated images. Retaining tonal details in the contours of the sitter’s face and finer details such as eyelashes, the figure appears like an animated character from a video game.