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Jean-Paul
Riopelle

Jean-Paul Riopelle, a tour de force of abstract expressionism, hails from Montreal, captivating with his mosaic-like paintings. If you’re looking for original Jean-Paul Riopelle prints and editions for sale, or would like to sell, request a complimentary valuation and explore our network’s most in-demand works.

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Biography

Born in Montreal in 1923, Riopelle displayed an early affinity for the arts, which was nurtured through an education at the École des Beaux-Arts and the École du Meuble in Montreal. His formative years were marked by a rigorous exploration of various styles and media, but it was his venture into abstract art that truly defined his creative direction. The young artist's burgeoning talent did not go unnoticed; his participation in the 1945 exhibition La Matière Chante, alongside members of the avant-garde Automatistes group, signalled the beginning of his ascent within the art community.

Riopelle's development took a decisive turn when he moved to Paris in 1947. Immersing himself in the post-war European art scene, he forged connections with influential figures such as André Breton and became a part of the Surrealist circle. However, it was his divergence from Surrealism and his embrace of Abstract Expressionism that established his reputation. His innovative use of the palette knife and impasto technique led to the creation of his iconic mosaic paintings, with their interlocking patches of colour and dynamic surface textures that seem to dance across the canvas.

Throughout the 1950s and 1960s, Riopelle's work gained international acclaim, with major exhibitions solidifying his status as a leading figure in contemporary art. His involvement with the School of Paris and participation in the pivotal Lyrical Abstraction movement positioned him at the heart of a pivotal moment in art history.

While Riopelle's career is punctuated by numerous accolades and achievements, it is perhaps his ability to capture the raw, untamed beauty of the Canadian landscape in his later works that most resonates with audiences. The elemental force of nature is palpable in his paintings, a testament to his deep connection with his homeland.

Riopelle's legacy is one of a relentless innovator, a painter who bridged the Atlantic divide and brought a unique sensibility to the abstract expressionist idiom. His work continues to exert a profound influence on artists today, a vibrant testament to his enduring impact on the visual language of the 20th century.


An abstract painting with a central dark, colourful expanse, bordered on either side by irregular areas of white, which resembles snow. The colour is applied in thick palette-knife strokes, with more red, yellow, and green visible in the lower right corner. The arrangement suggests an aerial view of an alpine landscape.

Autriche III © Jean-Paul Riopelle 1954

1. £3.8M for Jean-Paul Riopelle's Autriche III

Autriche III (1954) represents a pivotal moment in Riopelle's career, created in the year he represented Canada in the Venice Biennale, alongside Paul-Émile Borduas, and began his partnership with the prestigious Pierre Matisse Gallery in New York. It achieved Riopelle's current auction record when it sold at Christie's Hong Kong in November 2022. The painting's most striking feature is its prominent use of white, which creeps into the composition from the side. This creates both a semblance of composition and an allusion to landscape, directly referenced in the geographical title. According to Evan H. Turner, who acquired the work for the Montreal Museum of Fine Arts, Riopelle remarked that he had been impressed by the sight of glaciers while traveling in Austria. The sections of white evoke these slowly flowing sheets of ice, contrasting with the bright central colours. More than just an abstract work, Autriche III represents Riopelle's philosophy about abstraction and figuration; it maintains a harmony that guides the eye across the canvas, imbued with the memory of his journey to the Austrian Alps.

A textured abstract composition dominated by blues, greens, and blacks with sections of white and accents of red. Paint applied in mosaic-like pattern with palette knife strokes creates a complex surface. Overlapping colour segments reveal various greys where they meet, producing depth across the canvas.

Untitled © Jean-Paul Riopelle 1953

2. £3.7M for Jean-Paul Riopelle's Untitled

An untitled work from 1953 achieved this result at Christie's Paris in December 2017. This expansive canvas, measuring 2 by 3 metres, exhibits the controlled spontaneity characteristic of Riopelle's most accomplished works from this period. It features a mosaic-like arrangement of palette knife strokes predominantly in black, white, and red. In certain areas, the colours muddle together, intersecting and overlapping each other on the palette knife’s edge to create various gradients and shades of grey. This work emerged during a period of increasing contact with prominent members of the New York School and the international art scene, shortly after Riopelle acquired his first personal studio space in Paris, which he described as "the first time I've had a workshop of my own." This dedicated creative space enabled him to exhibit at the Galerie Pierre Loeb in May 1953, a show that Modernist scholar Pierre Schneider identified as "the starting point for Riopelle's Paris celebrity."

A dynamic composition with yellows, reds, and blacks that swirl across the canvas. The tessellated pattern of palette knife strokes and paint drips creates texture reminiscent of ice or wind-blown landscapes. Layered paint suggests movement and atmospheric force, reflecting the painting's title.

Vent Du Nord © Jean-Paul Riopelle 1952-53

3. £3.6M for Jean-Paul Riopelle's Vent Du Nord

Vent Du Nord (1952/53), which translates to “North Wind,” sold at Heffel Fine Art in May 2017. This painting, when it was completed, established Riopelle as a leading artist of French Lyrical Abstraction and the École du Paris. It draws inspiration from the Canadian landscape, maintaining a connection to nature without literal representation. This dual quality is a defining characteristic of Riopelle's mature style. Art historian Mark Cheetham described the work as exemplifying "the expressive, unbridled freedom of painterly expression" that stood in opposition to the "hard-edged, geometrical tendencies" prevalent in American colour field painting and the Montreal abstractionists known as Les Plasticiens.

A dark abstract landscape of deep greens, blues, and blacks with yellow and red accents. The undulating tones suggest a birds-eye view of a thick forest, with lighter colours suggesting the tallest trees.

Forestine © Jean-Paul Riopelle 1954

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