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9 Von 180 Farben (9 Of 180 Colours) - Signed Print by Gerhard Richter 1971 - MyArtBroker

9 Von 180 Farben (9 Of 180 Colours)
Signed Print

Gerhard Richter

£9,000-£14,000Value Indicator

$19,000-$29,000 Value Indicator

$17,000-$26,000 Value Indicator

¥90,000-¥140,000 Value Indicator

10,500-16,000 Value Indicator

$90,000-$150,000 Value Indicator

¥1,790,000-¥2,780,000 Value Indicator

$12,000-$19,000 Value Indicator

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61 x 86cm, Edition of 90, Screenprint

Medium: Screenprint
Edition size: 90
Year: 1971
Size: H 61cm x W 86cm
Signed: Yes
Format: Signed Print
Last Auction: December 2023
Value Trend:
-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2023
Grisebach
Germany
£8,750
£10,294
£13,588
April 2023
Christie's New York
United States
December 2022
Im Kinsky
Germany
June 2019
Karl & Faber
Germany
May 2015
Lempertz, Cologne
Germany
May 2015
Lempertz, Cologne
Germany
April 2012
Ketterer Kunst Hamburg
Germany
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Track auction value trend

The value of Gerhard Richter’s 9 Von 180 Farben (9 Of 180 Colours) (signed) is estimated to be worth between £9,000 and £14,000. This screenprint, created in 1971, has shown consistent value growth since its first sale in November 2010. Over the past five years, the hammer price has ranged from £8,569 in December 2022 to £12,057 in April 2023. This artwork has an auction history of 11 total sales and an auction history of 11 total sales. The edition size of this artwork is limited to 90.

Created with Highcharts 11.4.8Apr 2012Mar 2014Mar 2016Feb 2018Jan 2020Jan 2022Dec 2023£7,000£8,000£9,000£10,000£11,000£12,000£13,000£14,000£15,000© MyArtBroker

Meaning & Analysis

Another work in the Colour Charts series, 1260 Farben (1260 Colours), is a bold, minimal print that references its creator’s interest in the creative possibilities afforded by colour and colour theory. Arranged in a 3 x 3 grid pattern, the print features 9 block colours; these range from primary tones on the left of the composition (blue, yellow, and red), through to secondary colours (grey, light purple, and green) in the centre, and tertiary colours (pink, black, and brown) to the right. Staging the process of creating different colours from red, yellow, and blue - the primary building blocks of millions of different tones - Richter deconstructs traditional artistic practices in order to both inspect - and elide - them.

Despite their compositional differences, 9 Von 180 Farben and Richter’s abstract, squeegee-based works such as Haggadah (P2) are linked by the artist’s unwavering attention to process. At the heart of both artworks is an emphasis on the ‘essence’ of painting; the accretive process of both works’ production, which sees Richter use bold, ‘classic’ colours as a base ‘layer’ before exploring secondary and tertiary tones and layers thereafter, is present in each, and representation is unimportant.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.

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