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Orchid II - Signed Print by Gerhard Richter 1998 - MyArtBroker

Orchid II
Signed Print

Gerhard Richter

£27,000-£40,000Value Indicator

$60,000-$80,000 Value Indicator

$50,000-$70,000 Value Indicator

¥260,000-¥390,000 Value Indicator

30,000-45,000 Value Indicator

$280,000-$420,000 Value Indicator

¥5,390,000-¥7,980,000 Value Indicator

$35,000-$50,000 Value Indicator

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29 x 37cm, Edition of 25, Lithograph

Medium: Lithograph
Edition size: 25
Year: 1998
Size: H 29cm x W 37cm
Signed: Yes
Format: Signed Print
Last Auction: June 2024

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2024
Phillips London
United Kingdom
£25,500
£30,000
£38,100
November 2018
Phillips New York
United States
May 2018
Doyle Auctioneers & Appraisers
United States
June 2015
Phillips London
United Kingdom
May 2014
Lempertz, Cologne
Germany
February 2013
Phillips London
United Kingdom
November 2010
Christie's New York
United States
MyPortfolio
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Track auction value trend

Gerhard Richter's signed lithograph, Orchid II, created in 1998, is estimated to be worth between £27,000 and £40,000. This artwork has been sold 8 times at auction since its initial sale on 3rd November 2004. In the past five years, the hammer price has ranged from £ to £, and the average annual growth rate is currently unavailable. The edition size of this piece is limited to 25.

Created with Highcharts 11.4.8Nov 2010Feb 2013May 2015Aug 2017Dec 2019Mar 2022Jun 2024£22,500£25,000£27,500£30,000£32,500£35,000£37,500© MyArtBroker

Meaning & Analysis

Rendered in a realistic manner, the artwork features an orchid against a plain brown background. Coupling an engaging simplicity with technical sophistication, the artwork links Richter to a rich lineage of still life painters, including Vincent Van Gogh and Paul Cézanne. The serenity and brightness of the image contrast starkly with Richter’s monochrome paintings of the earlier period. Orchid II captures how the experimentation with colours and mediums allows the artist to move in the direction of a lively and buoyant visual language. The artist commented in this context: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.