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Landschaft I - Signed Print by Gerhard Richter 1971 - MyArtBroker

Landschaft I
Signed Print

Gerhard Richter

£2,200-£3,300Value Indicator

$4,550-$7,000 Value Indicator

$4,100-$6,000 Value Indicator

¥21,000-¥30,000 Value Indicator

2,550-3,850 Value Indicator

$23,000-$35,000 Value Indicator

¥440,000-¥660,000 Value Indicator

$3,000-$4,500 Value Indicator

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20 x 14cm, Edition of 100, Intaglio

Medium: Intaglio

Edition size: 100

Year: 1971

Size: H 20cm x W 14cm

Signed: Yes

Format: Signed Print

Last Auction: February 2025

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2025
Van Ham Fine Art Auctions
Germany
£1,781
£2,095
£2,703
September 2020
Phillips London
United Kingdom
June 2015
Van Ham Fine Art Auctions
Germany
December 2014
Karl & Faber
Germany
December 2014
Christie's London
United Kingdom
February 2007
Christie's New York
United States
March 2004
Lempertz, Cologne
Germany
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Track auction value trend

The value of Gerhard Richter's Landschaft I (signed) is estimated to be worth between £2,200 and £3,300. This intaglio print, created in 1971, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of 7 total sales since its entry to the market in March 2004. Over the past 12 months, the hammer price has ranged from £2,095 to £2,579, with a total of 1 artwork sold. In the last five years, the average return to the seller has been £1,986. This is a limited edition work, part of an edition of 100.

Created with Highcharts 11.4.8Mar 2004Sep 2007Mar 2011Aug 2014Feb 2018Aug 2021Feb 2025£1,400£1,600£1,800£2,000£2,200£2,400£2,600£2,800© MyArtBroker

Meaning & Analysis

Rendered in white, blue, and yellow, the landscape confronts the viewer with a vision of peaceful fields and hills, juxtaposed with the image of a bright sky. The serene landscape contrasts starkly with Richter’s monochrome paintings of the same period. The artwork captures how the experimentation with colours and mediums allows the artist to embrace a lively and buoyant visual language. The artist commented in the context of his practice: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.