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Landschaft I - Signed Print by Gerhard Richter 1971 - MyArtBroker

Landschaft I
Signed Print

Gerhard Richter

£2,200-£3,300Value Indicator

$4,600-$7,000 Value Indicator

$4,050-$6,000 Value Indicator

¥21,000-¥30,000 Value Indicator

2,600-3,850 Value Indicator

$23,000-$35,000 Value Indicator

¥430,000-¥640,000 Value Indicator

$3,000-$4,500 Value Indicator

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Intaglio

Edition size: 100

Year: 1971

Size: H 20cm x W 14cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Gerhard Richter's Landschaft I (signed) is estimated to be worth between £2,200 and £3,300. This intaglio print was created in 1971 and has shown consistent value growth since its first sale in March 2004. Over the past 12 months, the average selling price was £2,095 across 1 total sale. In the last five years, the hammer price has varied from £2,095 in February 2025 to £2,579 in September 2020. The average annual growth rate of this work is currently -2%. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2025Van Ham Fine Art Auctions Germany
September 2020Phillips London United Kingdom
June 2015Van Ham Fine Art Auctions Germany
December 2014Karl & Faber Germany
December 2014Christie's London United Kingdom
February 2007Christie's New York United States
March 2004Lempertz, Cologne Germany

Meaning & Analysis

Rendered in white, blue, and yellow, the landscape confronts the viewer with a vision of peaceful fields and hills, juxtaposed with the image of a bright sky. The serene landscape contrasts starkly with Richter’s monochrome paintings of the same period. The artwork captures how the experimentation with colours and mediums allows the artist to embrace a lively and buoyant visual language. The artist commented in the context of his practice: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.