£1,950-£2,950
$3,850-$6,000 Value Indicator
$3,500-$5,500 Value Indicator
¥18,000-¥27,000 Value Indicator
€2,350-€3,550 Value Indicator
$20,000-$30,000 Value Indicator
¥390,000-¥590,000 Value Indicator
$2,550-$3,850 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Lithograph
Edition size: 100
Year: 1976
Size: H 83cm x W 60cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
October 2024 | De Vuyst - Belgium | Mo McDermott - Signed Print | |||
November 2023 | Sotheby's Online - United Kingdom | Mo McDermott - Signed Print | |||
June 2022 | Bonhams New Bond Street - United Kingdom | Mo McDermott - Signed Print | |||
December 2019 | Forum Auctions London - United Kingdom | Mo McDermott - Signed Print | |||
July 2014 | Christie's New York - United States | Mo McDermott - Signed Print | |||
February 2012 | Christie's London - United Kingdom | Mo McDermott - Signed Print | |||
March 1996 | Christie's New York - United States | Mo McDermott - Signed Print |
Mo McDermott is a lithograph created by David Hockney in 1976. This limited edition of 100 prints depicts Hockney's long-time assistant, Mo McDermott, seated in contemplation. Rendered on wove paper, it showcases Hockney's skill in portraiture and his ability to capture subjects with economical yet precise lines.
In Mo McDermott, David Hockney employs a precise line technique to portray his assistant. The lithograph features McDermott seated in a relaxed pose, hands clasped, with his gaze directed off-canvas. Hockney's sparse background focuses attention on McDermott's contemplative expression, while the lithographic process allows for a nuanced range of tones, lending depth to the figure whilst maintaining a sense of lightness.
This work is part of Hockney's series of intimate portraits from the 1970s, a period marked by his exploration of naturalism and his growing interest in photography. The piece, published by Gemini G.E.L. in Los Angeles, reflects Hockney's ongoing collaboration with the renowned print workshop and his increasing ties to California. McDermott, who worked with Hockney from 1962 until his death in 1988, was a significant figure in the artist's life and work. This portrait not only demonstrates Hockney's technical proficiency but also provides insight into his personal relationships and working methods.