Yves-Marie Asleep
Yves-Marie Asleep
Unsigned Print
David Hockney
£6,500-£10,000
$13,000-$20,000 Value Indicator
$11,500-$18,000 Value Indicator
¥60,000-¥90,000 Value Indicator
€8,000-€12,000 Value Indicator
$60,000-$100,000 Value Indicator
¥1,260,000-¥1,940,000 Value Indicator
$8,500-$13,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 80
Year: 1974
Size: H 27cm x W 21cm
Signed: No
Format: Unsigned Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2022 | Sotheby's Paris | France | |||
| November 2018 | Millea Bros. | United States | |||
| May 2015 | Christie's London | United Kingdom | |||
| December 2012 | Van Ham Fine Art Auctions | Germany | |||
| December 2009 | Bonhams San Francisco | United States | |||
| March 2008 | Skinner, Boston | United States |
Meaning & Analysis
Yves-Marie Asleep by David Hockney, created in 1974, is a chromogenic print measuring 24 x 18 cm. This artwork depicts Hockney's close friend, Yves-Marie Hervé, peacefully sleeping by a poolside. Part of the Twenty Photographic Pictures series, this piece exemplifies Hockney's exploration of intimate, everyday moments through photography.
Yves-Marie Asleep captures a serene moment with Yves-Marie Hervé resting by a pool, his body relaxed and hands clasped. The composition is dominated by the tranquil blue water, which reflects light in a way that adds a dreamlike quality to the scene. Hockney's use of chromogenic print on Kodak paper enhances the vividness and subtlety of the colours, a technique he frequently employed during this period. This work is part of Hockney's Twenty Photographic Pictures series, which delves into personal and intimate snapshots of his life and relationships. The series marks a departure from his earlier, more public works, focusing instead on private, contemplative moments. The choice of a sleeping subject invites viewers into a quiet, introspective space, contrasting with the dynamic energy often seen in Hockney's paintings. This piece not only highlights Hockney's technical prowess in photography but also his ability to convey deep emotional resonance through seemingly simple scenes.
