The Studio, March 16th 1995
The Studio, March 16th 1995
Signed Print
David Hockney
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Medium: Digital Print
Edition size: 45
Year: 1996
Size: H 89cm x W 111cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2013 | Wright - United States | The Studio, March 16th 1995 - Signed Print | |||
| September 2013 | Wright - United States | The Studio, March 16th 1995 - Signed Print | |||
| April 2009 | Christie's London - United Kingdom | The Studio, March 16th 1995 - Signed Print |
Meaning & Analysis
The Studio, March 16th 1995 by David Hockney is an inkjet print in colours, created in 1995. This artwork presents an imagined view of the artist's studio, populated with abstract paintings on easels and walls.
The Studio, March 16th 1995 offers a curated insight into David Hockney's workspace, showcasing an array of abstract paintings. The compositions features bold, swirling forms and a diverse colour palette, conveying a sense of movement. Hockney utilises digital inkjet printing on Somerset Heavyweight textured paper, a technique that involves spraying microscopic droplets of ink onto the paper surface, allowing for precise colour reproduction and fine detail.
The piece is part of a series that includes The Studio, March 28th 1995, both works demonstrating Hockney's interest in Cubism and multi-perspectival views, echoing Picasso's influence. The arrangement of paintings within the studio space creates a visual dialogue between the works, contributing to the overall composition.
Created during a period of technological experimentation in Hockney's career, this print exemplifies his ability to merge digital processes with traditional artistic themes. The work provides valuable insight into Hockney's creative process and his evolving approach to depicting space and perspective in the mid-1990s.
