Untitled No.516
Untitled No.516
Signed Print
David Hockney
£23,000-£35,000
$45,000-$70,000 Value Indicator
$40,000-$60,000 Value Indicator
¥200,000-¥300,000 Value Indicator
€26,000-€40,000 Value Indicator
$230,000-$350,000 Value Indicator
¥3,870,000-¥5,890,000 Value Indicator
$29,000-$45,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 250
Year: 2016
Size: H 56cm x W 43cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London - United Kingdom | Untitled No.516 - Signed Print | |||
| March 2023 | Christie's London - United Kingdom | Untitled No.516 - Signed Print | |||
| December 2022 | Bonhams New Bond Street - United Kingdom | Untitled No.516 - Signed Print | |||
| September 2022 | Sotheby's Online - United Kingdom | Untitled No.516 - Signed Print | |||
| October 2021 | Bonhams Hong Kong - Hong Kong | Untitled No.516 - Signed Print | |||
| April 2021 | Bonhams Knightsbridge - United Kingdom | Untitled No.516 - Signed Print | |||
| April 2021 | Phillips New York - United States | Untitled No.516 - Signed Print |
Meaning & Analysis
Untitled No. 516, is a digital print released in 2016 in an edition of 250, has been executed by the much loved British artist David Hockney on an iPad. The image has then been printed in colour.
Untitled No. 516, executed by David Hockney in 2016 in an edition of 250 depicts a ceramic vase atop a blue chequered table cloth holding an assortment of flowers and ferns. The backdrop is a sketched red cross hatching, adding depth to the print. Hockney began sketching flowers from his bed when he bought his first iPhone in 2009. The energetic and lush quality of the flowers is contrasted by the more spartan backdrop. Throughout his career, owing to his technical curiosity, Hockney has successfully continued to reinvent himself without losing his artistic DNA. Whilst using digital media, Hockney is freed from the limitations of materials, supply and time. The iPad’s backlight allows one to paint at any time, whilst the colour wheel within the application presents an unlimited range of colours. Hockney’s digital works challenge the norms of conventional art and demonstrate the artist’s continuing innovativeness, which has spanned his decades-long career.
