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Gretchen And The Snurl - Signed Print by David Hockney 1961 - MyArtBroker

Gretchen And The Snurl
Signed Print

David Hockney

£4,350-£6,500Value Indicator

$9,000-$13,500 Value Indicator

$8,000-$12,000 Value Indicator

¥40,000-¥60,000 Value Indicator

€5,000-€7,500 Value Indicator

$45,000-$70,000 Value Indicator

¥860,000-¥1,290,000 Value Indicator

$6,000-$8,500 Value Indicator

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29 x 79cm, Edition of 50, Etching

Medium: Etching

Edition size: 50

Year: 1961

Size: H 29cm x W 79cm

Signed: Yes

Format: Signed Print

Last Auction: June 2023

Value Trend:

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2023
Bonhams New Bond Street
United Kingdom
£4,675
£5,500
£7,040
December 2021
Bonhams New Bond Street
United Kingdom
March 2017
Christie's London
United Kingdom
September 2016
Christie's London
United Kingdom
February 2012
Christie's London
United Kingdom
November 2007
Bonhams New Bond Street
United Kingdom
June 2004
Christie's London
United Kingdom
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Track auction value trend

The value of David Hockney's Gretchen And The Snurl (signed) is estimated to be worth between £4,350 and £6,500. This etching print, created in 1961, has an auction history of eight total sales since its entry to the market in April 2003. Over the past five years, the hammer price has ranged from £5,000 in December 2021 to £5,500 in June 2023. The average annual growth rate of this work is -3%. This artwork is rare to the market and the edition size is limited to 50.

Created with Highcharts 11.4.8Jun 2004Aug 2007Oct 2010Dec 2013Feb 2017Apr 2020Jun 2023£3,500£4,000£4,500£5,000£5,500£6,000£6,500£7,000© MyArtBroker

Meaning & Analysis

This signed print by British artist David Hockney was completed by the artist in 1961, during his second year at London’s Royal College of Art. Whilst at the Royal College of Art, Hockney met his contemporary, American painter R.B. Kitaj. This particular print is the product of another of Hockney’s university contemporaries, Mark Berger. Illustrating one of his stories, which sees a boy named Gretchen venture out into the big city only to be befriended by Boorp the Snurl, a large round-shaped creature with a human head, it confronts the interplay between narrative and images. The print recalls the storyboard-like form of 18th-century English artist William Hogarth’s painting series The Rake’s Progress, which in 1963 Hockney adapted for his print series of the same name, and comprises a series of 5 individual etchings. A miniature evocation of one of Hockney’s so-called ‘Love’ paintings, We Two Boys Together Clinging (1961) - also produced during his second year at the Royal College of Art (RCA) - is the last image in the narrative sequence. Gestural in style and parodical in subject matter, this cryptic print appears to reference the issue of sexual orientation, one of the anthropomorphic characters it portrays - ‘Snatch’ -being a visual metaphor for heterosexuality.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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