The World's Largest Modern & Contemporary Prints & Editions Platform
Till Death Do Us Part (coral red, silver gloss, true blue) - Signed Print by Damien Hirst 2012 - MyArtBroker

Till Death Do Us Part (coral red, silver gloss, true blue)
Signed Print

Damien Hirst

£6,000-£9,000Value Indicator

$12,500-$19,000 Value Indicator

$11,000-$17,000 Value Indicator

¥60,000-¥90,000 Value Indicator

€7,000-€10,500 Value Indicator

$60,000-$100,000 Value Indicator

¥1,190,000-¥1,790,000 Value Indicator

$8,000-$12,000 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

52 x 37cm, Edition of 50, Screenprint

Medium: Screenprint

Edition size: 50

Year: 2012

Size: H 52cm x W 37cm

Signed: Yes

Format: Signed Print

Last Auction: November 2014

Value Trend:

9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2014
Swann Galleries
United States
£2,473
£2,909
£3,636
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Damien Hirst's Till Death Do Us Part (coral red, silver gloss, true blue) (signed) is estimated to be worth between £6,000 and £9,000. This screenprint, created in 2012, has an auction history of one sale on 12th November 2014. The current average annual growth rate is not available and the edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Nov 2014£3,779© MyArtBroker

Meaning & Analysis

Hirst’s influence from the Pop artist Andy Warhol comes through in the Till Death Do Us Part series. Before Hirst, Warhol was similarly preoccupied with the iconography of death, depicting skulls in many variations in the latter stage of his career. Also, like Warhol, Hirst repeats a single image across an entire series, each print showing a variation on the original image through the manipulation of colour. Through his obsessive repetition of the skull throughout the Till Death Do Us Part series and his wider body of work, Hirst both desensitises and amplifies the permeating human condition of mortality.

It is only in the later stages of Hirst’s career that he has become interested in prints and editions. His first print portfolio was produced in 1999 and were a set of screen prints that depicted medicine bottle labels. Since his first print portfolio, Hirst has produced many prints and editions like those in the Till Death Do Us Part series and are a major part of his oeuvre.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

More from Till Death Do Us Part