The Souls III (turquoise, rustic copper, silver gloss)
The Souls III (turquoise, rustic copper, silver gloss)
Signed Print
Damien Hirst
£6,000-£9,500Value Indicator
$12,500-$20,000 Value Indicator
$11,000-$18,000 Value Indicator
¥60,000-¥90,000 Value Indicator
€7,000-€11,000 Value Indicator
$60,000-$100,000 Value Indicator
¥1,190,000-¥1,890,000 Value Indicator
$8,000-$13,000 Value Indicator
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72 x 51cm, Edition of 15, Foil Block
Medium: Foil Block
Edition size: 15
Year: 2010
Size: H 72cm x W 51cm
Signed: Yes
Format: Signed Print
Last Auction: December 2019
Value Trend:
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Meaning & Analysis
The Souls III (turquoise, rustic copper, silver gloss) is a foil block print from Damien Hirst’s The Souls series from 2010. The print shows a large butterfly with its wings outspread, set against a white backdrop. Depicted in dark blue and green, the image of the butterfly is rendered with beautiful patterns on its wings, creating a highly aesthetic print.
Hirst is fascinated by religion and his work, like The Souls series, addresses the timeless endless renewing of faith in the face of mortality. The butterfly is used by the artist as a traditional symbol of the soul, and of the soul’s presence on Earth before transmigration to an afterlife. Thus, in the gallery space, The Souls create an all-encompassing effect that surrounds the viewer.
Speaking of the display of The Souls in the gallery space, Hirst has explained: “This comes from an idea to fill the gallery with butterflies, an idea that I’ve had before. When I think of ‘The Souls’ I think of Judgement Day and ‘Jacob’s ladder’. Many souls work better than one, so to hang them…and to use all the available space is great way of doing it theologically.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
