The Souls On Jacob’s Ladder 2
The Souls On Jacob’s Ladder 2
Signed Print
Damien Hirst
£7,000-£10,500Value Indicator
$14,500-$22,000 Value Indicator
$13,000-$19,000 Value Indicator
¥70,000-¥100,000 Value Indicator
€8,000-€12,000 Value Indicator
$70,000-$110,000 Value Indicator
¥1,320,000-¥1,980,000 Value Indicator
$9,500-$14,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Intaglio
Edition size: 72
Year: 2007
Size: H 120cm x W 108cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | Christie's London | United Kingdom | |||
| June 2011 | Koller Zurich | Switzerland | |||
| September 2009 | Sotheby's London | United Kingdom |
Meaning & Analysis
The Souls On Jacob’s Ladder 2 is an intaglio print from Damien Hirst’s The Souls On Jacob’s Ladder Take Their Flight series from 2007. The print features a single butterfly depicted in green, red and brown and in exquisite, photographic detail. The butterfly sits in the centre of the square composition and set against a plain black backdrop.
Harking back to the work of Pop artist Andy Warhol, Hirst creates a series of six prints with the same subject and composition, each showing a different species of butterfly in varying colour combinations making each print unique. Rendering the fine detail of the butterfly wings and setting this against the dark backdrop, Hirst combines these elements to produce an image that finds universally engaging triggers. This contrast between the flat background and the realistic image of the insect plays with Hirst’s concern with facts and truth that images are assumed to depict.
The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
