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The Dead (Panama copper, turquoise) - Signed Print by Damien Hirst 2009 - MyArtBroker

The Dead (Panama copper, turquoise)
Signed Print

Damien Hirst

£3,600-£5,500Value Indicator

$7,500-$11,500 Value Indicator

$6,500-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

4,150-6,500 Value Indicator

$40,000-$60,000 Value Indicator

¥710,000-¥1,090,000 Value Indicator

$4,850-$7,500 Value Indicator

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72 x 51cm, Edition of 15, Foil Block

Medium: Foil Block
Edition size: 15
Year: 2009
Size: H 72cm x W 51cm
Signed: Yes
Format: Signed Print
Last Auction: August 2020
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
August 2020
Tate Ward Auctions
United Kingdom
£2,448
£2,880
£3,600
MyPortfolio
Auction Table Image
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Track auction value trend

Damien Hirst's The Dead (Panama copper, turquoise) (signed), a Foil Block artwork from 2009, is estimated to be worth between £3,600 and £5,500. This artwork has an auction history of one sale on 27th August 2020 and has shown a consistent value growth. This work is somewhat rare to the market and has an auction history of one sale on 27th August 2020. The average annual growth rate of this artwork is 15%. The edition size of this artwork is limited to 15.

Created with Highcharts 11.4.8Aug 2020£3,767© MyArtBroker

Meaning & Analysis

The print, produced in 2009, is part of the artist’s The Dead series. In this series, Hirst made thirty-one prints, all of which depict colourful skulls. The skull is a central element of the artist’s visual language and iconography. The series resonates with other series, such as I Once Was What You Are, You Will Be What I Am (2007) and Memento (2008), however it stands out from them due to Hirst’s bold incorporation of colour.

Hirst’s use of colour in The Dead (Panama copper, turquoise) reflects how death and human mortality is often thought of and discussed. The artist explains: “you don’t like it [death], so you disguise it or you decorate it to make it look like something bearable – to such an extent that it becomes something else.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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