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H3 Colour Chart (Glitter) - Signed Print by Damien Hirst 2017 - MyArtBroker

H3 Colour Chart (Glitter)
Signed Print

Damien Hirst

£3,650-£5,500Value Indicator

$7,500-$11,500 Value Indicator

$7,000-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

€4,250-€6,500 Value Indicator

$40,000-$60,000 Value Indicator

¥730,000-¥1,090,000 Value Indicator

$4,950-$7,500 Value Indicator

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90 x 188cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 2017

Size: H 90cm x W 188cm

Signed: Yes

Format: Signed Print

Last Auction: March 2025

Value Trend:

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Tate Ward Auctions
United Kingdom
$4,400
$5,000
$6,500
June 2024
Phillips London
United Kingdom
September 2023
Phillips London
United Kingdom
September 2022
Sotheby's Online
United Kingdom
March 2022
Ketterer Kunst Hamburg
Germany
September 2021
Sotheby's Online
United Kingdom
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Track auction value trend

The value of Damien Hirst's H3 Colour Chart (Glitter) (signed) is estimated to be worth between £3,650 and £5,500. This screenprint has shown consistent value growth, with an auction history of 6 total sales since its entry to the market on 14th September 2021. Over the past 12 months, the average selling price was £4,000, across 1 total sale. In the last five years, the hammer price has ranged from £2,400 in September 2023 to £6,500 in June 2024. The average annual growth rate for this artwork is -9%. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Sep 2021Apr 2022Nov 2022Jun 2023Jan 2024Aug 2024Mar 2025$3,500$4,000$4,500$5,000$5,500$6,000$6,500© MyArtBroker

Meaning & Analysis

The colour chart used to create the image for Colour Chart Glitter H3 is a found object, or ‘readymade,’ that Hirst transforms from a functional tool into an artwork about aesthetics, form and colour. The juxtaposition of colour in a systematic grid formulation across the composition works to highlight the interactive and endless potential of colour itself.

With much of his work, Hirst sets out to shock the viewer. The Colour Charts series manages to provoke its viewer since it is an object found in everyday life that is cast in a new light by the artist. This is what Hirst claims is the nature of art itself. Forcing the found object of the colour chart into the realm of ‘high art,’ Hirst aestheticises an often-discarded object and creates a work that simultaneously fascinates, inspires and outrages its audience.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.