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H3 Colour Chart (Glitter) - Signed Print by Damien Hirst 2017 - MyArtBroker

H3 Colour Chart (Glitter)
Signed Print

Damien Hirst

£4,250-£6,500Value Indicator

$9,000-$13,500 Value Indicator

$8,000-$12,000 Value Indicator

¥40,000-¥60,000 Value Indicator

5,000-7,500 Value Indicator

$45,000-$70,000 Value Indicator

¥820,000-¥1,260,000 Value Indicator

$5,500-$8,500 Value Indicator

-7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 250

Year: 2017

Size: H 90cm x W 188cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s H3 Colour Chart (Glitter) (signed) is estimated to be worth between £4,250 and £6,500. This screenprint, created in 2017, has shown consistent value growth, with an average annual growth rate of 7%. This work has an auction history of six total sales since its entry to the market on 14th September 2021. The hammer price over the last 12 months has been £5,250, across 2 sales. In the past five years, the hammer price has ranged from £2,400 in September 2023 to £6,500 in June 2024, with an average annual growth rate of 7%. The edition size of this artwork is limited to 250.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2025Tate Ward Auctions United Kingdom
June 2024Phillips London United Kingdom
September 2023Phillips London United Kingdom
September 2022Sotheby's Online United Kingdom
March 2022Ketterer Kunst Hamburg Germany
September 2021Sotheby's Online United Kingdom

Meaning & Analysis

The colour chart used to create the image for Colour Chart Glitter H3 is a found object, or ‘readymade,’ that Hirst transforms from a functional tool into an artwork about aesthetics, form and colour. The juxtaposition of colour in a systematic grid formulation across the composition works to highlight the interactive and endless potential of colour itself.

With much of his work, Hirst sets out to shock the viewer. The Colour Charts series manages to provoke its viewer since it is an object found in everyday life that is cast in a new light by the artist. This is what Hirst claims is the nature of art itself. Forcing the found object of the colour chart into the realm of ‘high art,’ Hirst aestheticises an often-discarded object and creates a work that simultaneously fascinates, inspires and outrages its audience.