Cathedral, Palais Des Papes
Cathedral, Palais Des Papes
Signed Print
Damien Hirst
£30,000-£45,000
$60,000-$90,000 Value Indicator
$50,000-$80,000 Value Indicator
¥280,000-¥410,000 Value Indicator
€35,000-€50,000 Value Indicator
$300,000-$440,000 Value Indicator
¥5,920,000-¥8,880,000 Value Indicator
$40,000-$60,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 50
Year: 2007
Size: H 120cm x W 120cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2022 | Sotheby's Online - United Kingdom | Cathedral, Palais Des Papes - Signed Print | |||
| March 2012 | Sotheby's London - United Kingdom | Cathedral, Palais Des Papes - Signed Print |
Meaning & Analysis
Taken from Damien Hirst’s 2007 Cathedral series, Cathedral, Palais Des Papes is a screen print that shows an intricate kaleidoscopic pattern made up of many varying butterfly wings. The print is depicted in an array of colours such as blue, yellow, purple, orange and red and the geometric composition is made up of concentric circles.
Evocative of stained glass windows in Gothic architecture, Cathedral, Palais Des Papas conflates the scientific with the aesthetic. Hirst uses the wings of butterflies to create the geometric pattern, appearing almost like insects on display in a natural history museum. The aesthetic comes into play in the creation of a beautiful pattern exuding a kinetic energy that is exciting and mesmerising to look at.
For Hirst, the butterfly is a ‘universal trigger’ that many people share in finding attractive and joyous. Recalling someone once saying to him: “Butterflies are beautiful, but it’s a shame they have disgusting hairy bodies in the middle,” Hirst in works like this chose only to display the dazzling wings in Cathedral, Palais Des Papes. Across the series, the butterfly wing is rendered unrecognisable when viewed at a distance and as part of a larger intricate pattern.
