Phenformin
Phenformin
Signed Print
Damien Hirst
£3,750-£5,500Value Indicator
$8,000-$11,500 Value Indicator
$7,000-$10,000 Value Indicator
¥35,000-¥50,000 Value Indicator
€4,300-€6,500 Value Indicator
$40,000-$60,000 Value Indicator
¥750,000-¥1,090,000 Value Indicator
$5,000-$7,500 Value Indicator
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51 x 51cm, Edition of 48, Woodcut
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Meaning & Analysis
Phenformin is a woodcut print from Damien Hirst’s 12 Woodcut Spots series from 2010. Showing three rows of three spots, identical in size and shape, this square composition is an example of Hirst’s fascination with exploring colour and form. Each spot is a different colour and every print in the series represents a unique set of colour combinations.
The 12 Woodcut Spots series can be considered within Hirst’s collection of spot paintings which constitute one of his most important series of works. From their origins in 1986, Hirst had always intended to create a comprehensive installation of the spot paintings. The Gagosian Gallery in 2012 brought together his collection of spot paintings spanning 25 years from 1986 to 2011.
The first spot paintings appeared in 1986 and were then exhibited in 1988, when Hirst in the final stages of the Freeze exhibition painted two arrangements of coloured spots onto the wall of the warehouse. The Freeze exhibition marked a turning point in Hirst’s career where he began to employ assistants to create the spot paintings. This was part of the artist’s aims towards creating works that appeared to have been produced mechanically and without human intervention.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
