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Methylamine - Signed Print by Damien Hirst 2014 - MyArtBroker

Methylamine
Signed Print

Damien Hirst

£14,000-£21,000Value Indicator

$29,000-$45,000 Value Indicator

$26,000-$40,000 Value Indicator

¥140,000-¥200,000 Value Indicator

16,000-25,000 Value Indicator

$150,000-$220,000 Value Indicator

¥2,740,000-¥4,110,000 Value Indicator

$19,000-$29,000 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 100

Year: 2014

Size: H 84cm x W 69cm

Signed: Yes

Format: Signed Print

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2 in network
14 want this
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Track auction value trend

The value of Damien Hirst’s Methylamine (signed) is estimated to be worth between £14,000 and £21,000. This screenprint, created in 2014, has shown a steady increase in value, with an average annual growth rate of 6%. This work has an auction history of six total sales since its entry to the market on 8th June 2016. In the past 12 months, the average selling price was £13,000, across one total sale. Over the past five years, the hammer price has varied from £13,000 in June 2024 to £32,256 in March 2022. The average annual return for the seller is currently 14%. Methylamine is part of a limited edition of 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2024Rosebery's Fine Art Auctioneers United Kingdom
March 2024Sotheby's London United Kingdom
March 2022Sotheby's Online United Kingdom
March 2018Sotheby's London United Kingdom
June 2017Wright United States
January 2017Phillips London United Kingdom
June 2016Phillips London United Kingdom

Meaning & Analysis

Hirst works almost exclusively in series and the scale of his production is considerable enough to merit employing a large number of assistants across various studios in Gloucester, Devon and London. The artist has said of this: “I like to do series… I think that I try to avoid doing something unique, or being unique. If you feel like that, you end up benefiting by using other people. I like the idea of a factory to produce work, which separates the work from the ideas, but I wouldn’t like a factory to produce ideas.”

The original Spots painting from 1986 was made when Hirst was still studying at Goldsmiths College. On a three-board panel that he painted white, Hirst randomly paints coloured spots with household gloss, the paint dripping down in the spaces between the dots. The original painting was Hirst’s attempt at unifying his faith in Abstract Expressionist painting with his newly cultivated interest in Minimalism, a style that he previously rejected.

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