Diacetoxyscirpenol
Diacetoxyscirpenol
Signed Print
Damien Hirst
£19,000-£28,000
$40,000-$60,000 Value Indicator
$35,000-$50,000 Value Indicator
¥180,000-¥260,000 Value Indicator
€23,000-€35,000 Value Indicator
$190,000-$280,000 Value Indicator
¥3,690,000-¥5,440,000 Value Indicator
$24,000-$35,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 115
Year: 2005
Size: H 111cm x W 201cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2024 | Sotheby's New York | United States | |||
| April 2023 | Christie's New York | United States | |||
| June 2022 | Phillips London | United Kingdom | |||
| January 2022 | Phillips London | United Kingdom | |||
| January 2020 | Phillips London | United Kingdom | |||
| June 2019 | Bonhams New Bond Street | United Kingdom | |||
| January 2019 | Phillips London | United Kingdom |
Meaning & Analysis
Diacetoxyscirpenol is an etching by Damien Hirst from 2004 that shows a composition that is a variation on his famous Spots paintings. The print is oriented horizontally and shows several rows of grey, blue and cream spots, each a perfect circle and equally spaced apart from one another.
Stretching as far back as 1986, the Spots paintings were first displayed at the landmark group show Freeze in London’s Docklands and recur throughout Hirst’s career in a number of artistic mediums. Unlike many of the Spots paintings, this print has a limited monochrome colour palette as opposed to depicting various bright colours. More subdued, Diacetoxyscirpenol is therefore an exploration in abstraction and pattern rather than in colour.
The title of this print, along with many of the other spot paintings and prints, are based on names of chemical compounds, and indicate Hirst’s interest in investigating boundaries between science, aesthetics, medicine and art. The colourful spots are set in equal distance from one another in a formulaic composition. The white clinical backdrop of the print recalls a laboratory and its kit, alluding to the crispness of coats, benches and hospital walls. Moreover, in its depiction of many spots, this print appears like a packet of medical pills.
