Untitled (Spin Painting)
Untitled (Spin Painting)
Signed Mixed Media
Damien Hirst
£6,000-£9,500
$12,000-$19,000 Value Indicator
$10,500-$17,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€7,000-€11,500 Value Indicator
$60,000-$90,000 Value Indicator
¥1,140,000-¥1,810,000 Value Indicator
$7,500-$11,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Mixed Media
Edition size: 100
Year: 2002
Size: H 21cm x W 21cm
Signed: Yes
Format: Signed Mixed Media
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2019 | Millea Bros. | United States | |||
| November 2009 | Doyle Auctioneers & Appraisers | United States | |||
| September 2006 | Christie's New York | United States |
Meaning & Analysis
Damien Hirst’s Untitled (Spin Painting) was produced in 2002 in an edition of 100. The work, which uses mixed media, is one of several Hirst’s works that draws on the spinning theme of his collection In A Spin that remains untitled.
This print depicts a splattering of spinning paint. The paint is predominantly red, however, there is a concentration of yellow paint at the centre of the work and around the circumference of the area with the most dense concentration of paint. The work gives a sense that the paint is emanating outwards from the centre in a concentric manner. This work was produced only seven years after Hirst first begin to consider spin paintings in 1995.
The full name of Hirst’s spin series, ‘The Action of the World on Things’ comes from a phrase that he began to use in 1999. As this work came after that date, it is clear that it was influenced by the ideas of movement and action that Hirst began to articulate, both verbally and visually, around the turn of the century. This work may be compared to several other Hirst untitled works that produce a Spin painting in a more painterly manner. For instance, Hirst produced another work, also untitled, using watercolour and coloured crayon on paper. Unlike his Spin etchings, there is a freeness to these two examples that is enhanced by his use of wet media in the process of producing the work.