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Untitled (Spin Painting) - Signed Mixed Media by Damien Hirst 2002 - MyArtBroker

Untitled (Spin Painting)
Signed Mixed Media

Damien Hirst

£5,000-£7,500Value Indicator

$10,500-$16,000 Value Indicator

$9,500-$14,000 Value Indicator

¥50,000-¥70,000 Value Indicator

€6,000-€8,500 Value Indicator

$50,000-$80,000 Value Indicator

¥1,000,000-¥1,490,000 Value Indicator

$7,000-$10,000 Value Indicator

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21 x 21cm, Edition of 100, Mixed Media

Medium: Mixed Media

Edition size: 100

Year: 2002

Size: H 21cm x W 21cm

Signed: Yes

Format: Signed Mixed Media

Last Auction: November 2019

Value Trend:

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2019
Millea Bros.
United States
N/A
N/A
N/A
November 2009
Doyle Auctioneers & Appraisers
United States
September 2006
Christie's New York
United States
MyPortfolio
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The value of Damien Hirst’s Untitled (Spin Painting) (signed) is estimated to be worth between £5,000 to £7,500. This mixed media artwork, created in 2002, has an auction history of three total sales since its entry to the market on 13th September 2006. There have been no sales within the last 12 months or the past five years. The edition size of this artwork is limited to 100.

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Meaning & Analysis

This print depicts a splattering of spinning paint. The paint is predominantly red, however, there is a concentration of yellow paint at the centre of the work and around the circumference of the area with the most dense concentration of paint. The work gives a sense that the paint is emanating outwards from the centre in a concentric manner. This work was produced only seven years after Hirst first begin to consider spin paintings in 1995.

The full name of Hirst’s spin series, ‘The Action of the World on Things’ comes from a phrase that he began to use in 1999. As this work came after that date, it is clear that it was influenced by the ideas of movement and action that Hirst began to articulate, both verbally and visually, around the turn of the century. This work may be compared to several other Hirst untitled works that produce a Spin painting in a more painterly manner. For instance, Hirst produced another work, also untitled, using watercolour and coloured crayon on paper. Unlike his Spin etchings, there is a freeness to these two examples that is enhanced by his use of wet media in the process of producing the work.