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Providence - Signed Print by Damien Hirst 2009 - MyArtBroker

Providence
Signed Print

Damien Hirst

£4,000-£6,000Value Indicator

$8,500-$12,500 Value Indicator

$7,500-$11,000 Value Indicator

¥40,000-¥60,000 Value Indicator

€4,650-€7,000 Value Indicator

$45,000-$60,000 Value Indicator

¥800,000-¥1,190,000 Value Indicator

$5,500-$8,000 Value Indicator

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31 x 25cm, Edition of 45, Etching

Medium: Etching

Edition size: 45

Year: 2009

Size: H 31cm x W 25cm

Signed: Yes

Format: Signed Print

Last Auction: March 2023

Value Trend:

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2023
Cottone Auctions
United States
N/A
N/A
N/A
October 2022
Sotheby's New York
United States
April 2022
Bonhams Knightsbridge
United Kingdom
October 2019
Phillips New York
United States
June 2019
Cornette de Saint Cyr Brussels
Belgium
June 2018
Ketterer Kunst Hamburg
Germany
June 2016
Ketterer Kunst Hamburg
Germany
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Track auction value trend

The value of Damien Hirst's Providence (signed) is estimated to be worth between £4,000 and £6,000. This etching print from 2009 has shown consistent value growth, with an auction history of 8 total sales since its entry to the market in April 2011. The hammer price over the last 12 months has ranged from £6,000 in April 2022 to £6,549 in March 2023. The average annual growth rate for this artwork is -5%. The edition size of this artwork is limited to 45.

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Meaning & Analysis

The butterfly has become an iconic part of Hirst’s visual language. Along with skulls and diamonds, butterflies are often incorporated into Hirst’s artworks and used to explore themes of life, death and religion. Other artworks made by Hirst which use butterflies are the H7 series, the Psalms series and the Souls series. The Kaleidoscope series is Hirst’s most well-known example of using butterflies in his art. Inspired by the beautiful pattern on an old Victorian tea tray, Hirst was fascinated by the way the insect could be used to create intricate patterns.

Hirst has been interested in butterflies for a long time and began using them in his work as early as 1989. The artist calls the insect a “universal trigger,” elaborating that “everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”