Beautiful Exotic Stretching Etchy Spinning Void
Beautiful Exotic Stretching Etchy Spinning Void
Signed Print
Damien Hirst
£3,000-£4,500Value Indicator
$6,500-$9,500 Value Indicator
$5,500-$8,500 Value Indicator
¥29,000-¥45,000 Value Indicator
€3,550-€5,500 Value Indicator
$30,000-$45,000 Value Indicator
¥580,000-¥870,000 Value Indicator
$4,050-$6,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Etching
Edition size: 50
Year: 1995
Size: H 44cm x W 38cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2025 | Forum Auctions London | United Kingdom | |||
| September 2023 | Phillips London | United Kingdom | |||
| January 2021 | Phillips London | United Kingdom | |||
| June 2008 | Christie's London | United Kingdom | |||
| October 2002 | Christie's London | United Kingdom |
Meaning & Analysis
Damien Hirst’s Beautiful Exotic Stretching Etchy Spinning Void was produced in 1995. It is a Drypoint etching which constituted part of a portfolio entitled Stützmappe a.k.a. support portfolio, produced for Contemporary Fine Arts, Berlin. Signed in the lower left of the plate and in graphite on the bottom right, the work was printed in an edition of 50.
Produced as an exploration of different approaches to print media, the Stüzmappe a.k.a. support portfolio, included 13 prints from 13 different artists. These prints were produced using several different techniques. Hirst’s print, as its title suggests, depicts a colourful series of loosely etched concentric circles printed in blue, yellow, red, purple, and green. Each colour occupies a specific area. The blue largely concentrated at the centre and the green largely concentrated at the edge of the print. This composition evokes a feeling of a void.
The work is an early example of Hirst’s exploration of the idea of beauty. The viewer is reminded of several other Hirst works which explore this concept. For instance, Hirst’s It’s a Beautiful Day series further considers ideas of beauty. However, the Beautiful Exotic Stretching Etchy Spinning Void is more complex. Hirst may well be subverting the idea of a void: in other works, such as his 2001 Screen print Beautiful, Galactic, Exploding Hirst also juxtaposes beauty with catastrophe. Similarly, in this colourful etching, the void does not appear ominous as one might expect. Instead, it is vibrant and exotic.
Hirst’s use of Drypoint etching enables him to place different coloured inks in the etched areas. As a result, the colourful and vibrant feel of the print is made possible.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.