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Small Town Tale With Global Punch - Signed Print by Conor Harrington 2014 - MyArtBroker

Small Town Tale With Global Punch
Signed Print

Conor Harrington

£1,050-£1,600Value Indicator

$2,150-$3,300 Value Indicator

$1,950-$2,950 Value Indicator

¥10,000-¥15,000 Value Indicator

1,250-1,900 Value Indicator

$10,500-$16,000 Value Indicator

¥200,000-¥300,000 Value Indicator

$1,350-$2,050 Value Indicator

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56 x 82cm, Edition of 100, Screenprint

Medium: Screenprint
Edition size: 100
Year: 2014
Size: H 56cm x W 82cm
Signed: Yes
Format: Signed Print
Last Auction: November 2023
Value Trend:
2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

3 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2023
Tate Ward Auctions
United Kingdom
£850
£1,000
£1,250
December 2021
Tate Ward Auctions
United Kingdom
October 2019
Chiswick Auctions
United Kingdom
July 2019
Tate Ward Auctions
United Kingdom
December 2018
Chiswick Auctions
United Kingdom
September 2018
Chiswick Auctions
United Kingdom
March 2018
Chiswick Auctions
United Kingdom
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Track auction value trend

The value of Conor Harrington's Small Town Tale With Global Punch (signed) is estimated to be worth between £1,050 and £1,600. Over the past 12 months, the average selling price was £1,000, across a total of 1 sale. This screenprint has shown consistent value growth and has an auction history of 7 total sales since its initial entry to the market in March 2018. The hammer price in the last five years has remained steady, with a current average annual growth rate of 8%. This work is part of a limited edition of 100.

Created with Highcharts 11.4.8Mar 2018Feb 2019Feb 2020Jan 2021Dec 2021Dec 2022Nov 2023£950£1,000£1,050£1,100£1,150£1,200£1,250£1,300© MyArtBroker

Meaning & Analysis

Considering its pared-down visual language, including a plain background and the dominance of grey tones, the print contrasts with works created by the artist between 2012 and 2014. Such prints as When We Were Kings (2012) or The Unveiling (2014) expose the traps of consumerist culture through the abundant representation of objects surrounding the human subject.

While Harrington’s interests revolve usually around the notion of excess, the focus here is on the simplicity, as a result of which, the viewer’s attention is oriented entirely towards the violence of the central scene. Representing the problem of global power systems at large, Harrington’s representation of the fight proves his versatility as an artist, encapsulating the long-standing interest in how the structures and experiences of the past inform the condition of the present. The artist commented in the context of his art: "I’m interested in systems of power and excess [...] the excess and unrelenting desire for power and control."